Word: colorings
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Dates: during 1950-1959
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...decision to cover Yankee Stadium with four color cameras made a tough job even tougher. Using six black-and-white cameras in Milwaukee, the same crew achieved more fluent coverage from a greater variety of angles. Though the vast majority of viewers saw even the colorcasts in the black-and-white version, color demanded cameras three times as bulky (and balky), and the engineers had to "paint" constantly with their control knobs to cope with changes in lighting and color temperature. Their pains reproduced some vivid ballpark atmosphere. The grass sometimes turned Kentucky blue and the shaded areas filled with...
Battle Stations. At Yankee Stadium a mile and a half of cable linked the cameras with NBC's color mobile unit in the street outside. Within the curbstone control room, nine shirtsleeved men were wedged into a maze of apparatus like submariners at battle stations, lit by little more than the flicker of eight TV monitoring screens. Director Harry Coyle, 35, an ex-bomber pilot who, like most of the others in the mobile unit, is a veteran of TV's infancy, chain-smoked from his perch on a high stool, his eyes darting back and forth. Crammed...
...India, productions of Kathakali cause audiences to curse the bad guys (red-bearded) and cheer the good guys (green-faced). Broadway audiences were less demonstrative but found that the blood-and-wonder spectacle had color, dash, the spice of novelty and the charm of skillfully stylized performances...
...here and there on the stage the story loses a certain inward glow, it gains in outward color from snatches of song or the interplay of street voices. With the performers-particularly George Brenlin as Sean and Aline MacMahon as the mother-providing a resonant voice box, I Knock at the Door wisely puts adroit storytelling ahead of theatrical effect. If four walls and a passion can make a good play, almost as much can be had from six chairs and a prose style; and an ounce of Cavendish cut-plug can be worth a pound of routine theatrics...
...Frank Sinatra, Rosemary Clooney, Louis Armstrong in a $400,000 production choreographed by Eugene Loring-whose dances gave last week's Crescendo, a big CBS variety show, some of its infrequent high moments. ¶ Standard Oil's (NJ.) $600,000 75th Anniversary Show, to be staged in color over NBC (9 to 10:30 p.m., E.D.T.) by Theaterman Cyril Ritchard, stars Tyrone Power, Jimmy Durante, Bert Lahr, Donald O'Connor, Jane Powell, Marge and Gower Champion, Brandon de Wilde, Duke Ellington, Eddie Mayehoff, Kay Thompson, Columnist Art Buchwald and British Cartoonist Ronald Searle...