Word: colorings
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Dates: during 1950-1959
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...untitled works as landscapes, seascapes or floral studies, leaving articulation to his brush and the imagination. Often it is difficult to determine which fit even these broad categories, as Rosenborg's work, neither non-objective nor allegorical, alludes mystically to nature as a vehicle alone. Brilliant bouquets of color, often straight from the tube, alternate with misty formations of warm, mellow light. Seldom is any linear element whatsoever introduced. Rosenborg's variations on a theme of color harmonies are as much the point as his eulogy of nature...
Like many another well-intentioned newspaper, the Toledo Blade scrupulously avoids identifying criminals by race, creed or color, a policy that has its hazards and drawbacks as well as its virtues (TIME, Oct. 29). Like few other papers that impose a similar taboo, the liberal evening Blade (circ. 194,501) this month had to fight for its 13-year-old policy against a community brought to the brink of explosion by reports of a crime wave among Negroes. Paul Block's worldly, well-edited Blade not only stood by its rule but also last week gave Toledoans of equal...
...Park last week, and six of the city's seven major dailies (exception: the Daily News) omitted any racial description of the muggers. But then some of the U.N.'s Asian and African delegates began murmuring that brown-skinned Ambassador Shaha had been attacked because of his color. The conscientious New York Times promptly reported that both thugs were Negroes, while the Herald Tribune described one of them as a man of "dark complexion...
...produce a surprisingly large percentage of graduate students; e.g., 60% of Oberlin's male students take advanced work. Because of facts like these, no similar intrastate group of colleges and universities is more widely respected among the nation's educators than the Ohio Six (see color pictures...
...becoming domesticated to the wild rhythms of Igor Stravinsky or the pulverized harmonies of the atonalists. About Stravinsky and his experiments, Sibelius remained steadfastly unenthusiastic; the works of Arnold Schoenberg he found "unsympathetic." Speaking of his serious, sometimes forbidding style, Sibelius said: "Other composers may manufacture cocktails of every color; I offer the public pure water." But as he went on his own lonely way, he took huge, enthusiastic audiences with him: no serious composer was more popular with U.S. and British audiences in the 1930s; no contemporary composer has a more secure place in the current symphonic repertory...