Word: colorings
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Dates: during 1950-1959
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...flying at half-staff. Crossing the Potomac into Virginia, the procession stopped at the cemetery gate, where an iron-tired Army caisson with six grey horses waited to carry to the grave the body of the statesman, sometime (1917-18) major, U.S. Army. With an Army-Navy-Air Force color-guard marching ahead, and the flag of the U.S. Secretary of State flying bravely behind, the caisson rolled slowly up the hill to the grave site on a grassy knoll near a yellowwood tree...
...supposed to increase their holdings by gambling and by making frequent trips to the company's "Hospitality Suite" where they could obtain liquid refreshments plus 5,000 "dollars" for every visit. On Memorial Day, in exchange for the play money, RCA Victor auctioned off a stereo set, a color TV set, 500 real dollars worth of clothes, a trip for two to Europe, and a Studebaker Lark to the highest bidders-and the bidders by that time were high all right...
Nude with Bouquet (see color) is not only Carles's tribute to Manet but a memorial to what he had learned from Matisse and left behind. Matisse's arabesque line is there-but subordinated to Carles's attempt to create volume with color alone. His Table Arrangement, quick and sketchy by comparison, records Carles's later flight into an unknown world where images existed only as reference points...
...tackle. As early as 1933 he had covered the marketplace at Algeciras with a 156-ft. spherical dome, a shelter still ranked as a classic of shell construction. The next year he evolved a scheme for the Madrid Hippodrome, in which a series of soaring shell roofs (see color) were so delicately cantilevered that a thin, vertical tie rod behind the stands was all that was needed to keep them in equilibrium. In Spain's Civil War, the Hippodrome was subjected to trial by fire-it was shelled and took 26 hits. But Torroja's structure survived, bedraggled...
...vegetal forms led to the functionless fantasies in glass of Louis Tiffany, America's gifted designer. The most interesting forms of his stylized works, such as the flower vase in this show, are impractical and, consequently, must be looked at as sculptures in glass. Unfortunately, Tiffany's garish color schemes lessen their value as works...