Word: colorings
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Dates: during 1950-1959
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...course, testified witnesses, Lormar offered certain competitive advantages. While other distributors sold top-label records for 65? apiece, Lormar offered a cut rate of 55?. Eventually buyers discovered that the records had been pirated from genuine big-name platters and counterfeited in Cincinnati down to the color and code numbers of the label. Top hit on the counterfeit parade: You Can Make It If You Try, with 86,000 bogus copies in circulation...
They arrived hot and tired, shedding platinum mink stoles and loosening neckties. Shoulders sagged under three cameras (black-and-white, color, movies). Hand baggage bulged with lotions, nostrums, Doctor Zhivago and Around the World with Auntie Mame...
...that had been painted red or blue and goaded into a sidewise race. In tonier circles, no help from the management was needed. The cafe society crowd at Montego's Round Hill ($60 a day and up) howled as Guest Moss Hart played and sang his own off-color songs...
...perform in such plush nightspots as the Eden Roc in Miami and the Palmer House in Chicago. He is the only American Negro to be cast in a romantic movie role opposite a white actress (Joan Fontaine in Island in the Sun). He has not only crossed some color lines, but a great many other lines as well. His appeal is remarkably independent of age or sex. In a recent concert in Pittsburgh, he packed the hall with steelworkers. symphony patrons, bobby-soxers and schoolchildren. When he toured Europe last summer for the first time, he broke attendance records everywhere...
...performance opened with a thud of tom-toms and the calls of masked, grass-skirted witch doctors exorcising spirits. It closed with an exuberantly costumed rain dance that compares in color and good humor to New Orleans' Mardi Gras. The show: a fast-moving, two-hour demonstration of native dances by Les Ballets Africains, a troupe of skilled amateurs from newly independent Guinea. The 28 dancers have won raves all over Europe, last week dazzled Manhattan audiences and critics...