Word: colorism
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Dates: during 1960-1969
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...devastating and divisive experience to which black and white teachers could be subjected. Touching, embracing or castigating persons with whom one has scarcely a passing acquaintance does not improve human relations or increase tolerance and understanding. In fact, educated, well-mannered, tolerant, sensitive teachers were repelled by such actions. Color or nationality had nothing to do with the distaste expressed by the majority of teachers and administrators attending...
...that TIME presents on the following pages. All of the pictures are white mirrors, since oil paint was never the Negro's traditional medium: the promise of black Rembrandts lay in other fields. But all of them reflect the unprejudiced eye that saw beauty could appear in any color...
...science fiction flicks from Buck Rogers to 2001 . Right along side is some impressive NASA footage of the moon landing, the early Apollo missions in earth and lunar orbit, and Saturn V take-offs. Isolated fragments of these films have been shown often, but to watch them in color at once is an awesome experience. The show also offers a fine series of Neil Armstrong's moon photos. This selection is far clearer and more complete than those published in magazines or newspapers...
...felt there should be a open forum representing all views." said Edward P. Atkinson '71, one of the three who left the Independent. "Board editorials will only color the paper and hurt our reputation for unbiased reporting." Morris Abram Jr. '71. the paper's originator, favors running board editorials and signed opposing viewpoints...
...Country Priest to last year's Mouchette. For the first time, however, his central character is something more than a passive, symbolic victim. Her suicide is portrayed as a positive act of defiance, not desperation. Bresson's customary stylistic austerity seems softened by his first use of color film, but what François Truffaut called his "theoretical, mathematical, musical and above all ascetic" approach to the cinema may still seem much too calculated for most viewers. Objects for Bresson are as important as his characters, and he lingers on prolonged shots of doors, stairways and display cases...