Word: colorism
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Dates: during 1960-1969
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Five days later, if all goes well, Mariner 7, a second Mars probe, will make a sweep across the south polar regions of the planet, shooting closeup photographs of the white polar cap and areas that appear to change color seasonally. Mariner 7 is scheduled to be launched on March 24, but will take less time than its predecessor to make the trip; its trajectory is different and the Earth will have moved some 25 million miles closer to Mars during the month that separates the shots...
...charge of Mariner's TV experiments: "At the worst, we should be able to kill a lot of old legends about the dark lines being canals carrying water from polar ice caps to oases in the desert-or the ones that say the vast regions that change color every spring are vegetation...
...airliner with an organ keyboard grafted onto it-is by far the most effective device yet developed to produce electronic sounds. Besides serving as an "orchestra" for works by avant-garde composers, the Moog (rhymes with vogue) produced the bing-bong theme that for years preceded all CBS-TV color shows and the clarion call that heralds Westinghouse television commercials. The most spectacular application of the Moog to date is Composer Walter Carlos' electronic "orchestration" of ten Bach compositions for a Columbia LP called Switched-On Bach. The album has sold nearly 150,000 copies in four months, which...
...Alonso Allen, 58, the star of A. A. Allen Revivals, Inc., that was indeed enough of a miracle to set the tone for a seven-day revival meeting in Los Angeles last week, even though it was not up to his usual standard. His four-color, monthly Miracle Magazine (circ. 350,000) reports even more spectacular cures. In the current issue, a teenager named Yodonna Holley from Globe, Ariz., testifies that "I received fillings in my teeth" during a camp meeting. ("Why not let God be YOUR dentist?" suggests the story.) A young man named Charles Embrey, of Hayward, Calif...
Monterey Pop is a color-and-stereo-phonic-sound souvenir of the 1967 festival of rock music in California. Under the supervision of D. A. Pennebaker, who made Don't Look Back, the one widely seen verite documentary, more than half a dozen cameramen prowled the crowd catching the mood-but not the meaning-of the event. Several performers (Janis Joplin, Otis Redding, Ravi Shankar) come through with a jolting, immediate intensity, but watching Monterey Pop is like listening to an LP with pictures. Twenty years from now, the film may have value as a historical curiosity. Surely...