Word: colorism
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Dates: during 1960-1969
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BRAHMS: FIVE PIANO PIECES; STRAVINSKY: THREE MOVEMENTS FROM PETROUCHKA (RCA Victor). Misha Dichter, 22, is another young pianist of great promise and considerable accomplishment. The Brahms is simple music that demands color and tone from the interpreter, which Dichter supplies confidently; Petrouchka has brought him ovations in recital. The three movements are a showcase for a virtuoso technique, and Dichter cuts loose with a fury of sound. Fortunately, he also reveals a calmer temperament in the balancing poetic passages...
...against a white wall. Others in the group vary widely but are united by a common dedication to "cool" materials far divorced from the conventions of oil paint and bronze-plastics, neon, acrylics, Plexiglas, aluminum. They also share a preoccupation with a visual illusionism that plays with space and color to make the eye see beyond the surface of the work, perhaps inspired by the clear, bright light of Southern California (on its non-smog-gy days). The result, if not so divergent from similar work in the New York orbit as the Californians like to think, nevertheless offers...
...protect and cleverly disguise the fact that she had the mumps. And then there was his mother, who lived to be 90. "My muse," he called her. He painted her bent over the sewing machine, stitching before the window, feeding her grandchild, and watering the flowers. Her hair changed color over the decades, the wrinkles deepened in her face, and still Vuillard never tired of portraying...
...pursuit, navigating their inflated raft by a primer-simple map of the six continents. When they want to go to the Red Sea it turns out to be red; the Black Sea becomes black. At last they arrive at a place where, the girl complains, "they forgot to color the water." An island rises from the clear waves, and the voyagers suddenly find themselves beached in a magical, adult-free paradise...
...commercials, bureaucracy and the like may be daring back home, but they sink slowly in the West. And the film's whimsy is often as thick as wet sand. Still, Vukotic's insights into child psychology are often ingenious, and his blend of animation and bright, appealing color occasionally makes The Seventh Continent look like a feat of Klee...