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Word: colorism (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

COUPLES, by John Updike. Wife swapping is the game, described in living off-color, but soul saving is the real stake in this rich and subtly rewarding novel by the crown prince of American letters...

Author: /time Magazine | Title: Television: May 17, 1968 | 5/17/1968 | See Source »

...billion, and median family income is approaching $8,000 a year?about $2,000 more than that of the country with the next highest standard of living. Sweden. The accouterments of affluence are everywhere: Americans possess more than 60 million automobiles, 70 million television sets (10 million with color), $500 billion worth of common stock. At least two-thirds of U.S. families own their homes...

Author: /time Magazine | Title: Nation: A NATION WITHIN A NATION | 5/17/1968 | See Source »

Scope & Symptoms. Foreign observers of U.S. urban riots are frequently stunned at the vigor of the American poor. How, they wonder, can a looter claim to be hungry and oppressed, yet walk off with a color-television set as easily as if he were hefting a loaf of bread...

Author: /time Magazine | Title: Nation: A NATION WITHIN A NATION | 5/17/1968 | See Source »

...FILMS of Jacques Demy, small variations on a small theme, appear roughly every other year and make no significant contribution whatsoever to world cinema. The prime mover in Demy's light-struck multi-color Disneyland is coincidence, a capricious often fascinating quality, granted, but not one of your big themes--hardly an equivalent to Resnais's concern with time or Lang's with fate. Demy's constructs lack true vision, instead wallow joyously in the mechanical: lovers wander marionette-like (often singing) looking for their true loves, forced by Demy to miss one another by seconds until the romantic...

Author: By Tim Hunter, | Title: Les Demoiselles de Rochefort | 5/16/1968 | See Source »

...nothing else, Demoiselles has abandoned itself to love and chance, casting aside the restraint that characterizes the form and color of Demy's previous Les Parapluies de Cherbourg, a strangely gloomy film marked more than anything else by ugly purple wallpaper. Shot in primary colors which contrast with dominant whites (not unlike Godard's Le M*epris), Demoiselles is less a synthetic than Cherbourg because of its reliance on apparently natural light sources and location sets. A ubiquitous sunlight links the interiors to the outdoor shots much better than Demy's style is able...

Author: By Tim Hunter, | Title: Les Demoiselles de Rochefort | 5/16/1968 | See Source »

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