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Word: coloristic (lookup in dictionary) (lookup stats)
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...reshaped my eyebrows, giving me the instant facelift I needed." Cosio is no pedestrian plucker; she often reshapes 50 brows a day at $50 a pop, and her clients include Courteney Cox and Susan Sarandon. Whether Cosio can write is a mystery, but no doubt Regan's hair colorist and bikini waxer are rooting...

Author: /time Magazine | Title: People: Feb. 7, 2000 | 2/7/2000 | See Source »

...Colorist" [FASHION, July 19]: So men are going in for hair tipping a la Ricky Martin. Jeez, what's next? Pink fingernail polish? BOB MANDESON Glendale, Calif...

Author: /time Magazine | Title: Letters: Aug. 9, 1999 | 8/9/1999 | See Source »

...Mural would keep reappearing right up to the slanting "poles" in his last great canvas, Blue Poles: Number 11, 1952. The two pictures have something else in common: they remind you how Pollock, whom we tend to think of as a web-weaving, linear artist, was also a real colorist, idiosyncratic and original. There is something vulgar about the palette of Blue Poles, with its giddy dance of aluminum paint and hot orange, but it is the kind of vulgarity that fairly seethes with life...

Author: /time Magazine | Title: Art: Dappled Glories | 11/9/1998 | See Source »

...desire. His aim was not to argue coherence but to go for the strongest level of feeling. He conveyed it with tremendous plastic force, making you feel the weight of forms and the tension of their relationships mainly by drawing and tonal structure. He was never a great colorist, like Matisse or Pierre Bonnard. But through metaphor, he crammed layers of meaning together to produce flashes of revelation. In the process, he reversed one of the currents of modern art. Modernism had rejected storytelling: what mattered was formal relationships. But Picasso brought it back in a disguised form...

Author: /time Magazine | Title: The Artist PABLO PICASSO | 6/8/1998 | See Source »

...century, he missed the "painterly" pictorial revolution that was going on there, which is why his work can look a bit liny and (relatively) old-fashioned, closer to Giovanni Bellini than to young Titian. Drawing creates more of his pictorial structure than color does; yet he was a marvelous colorist, suave, moody at times, and capable of a mysterious lyricism that reminds you of Giorgione, his senior by only a few years. Except that the color goes to extremes: icing-green, purple, sky blue and orange, oddly predicting the dissonant colors of Mannerism...

Author: /time Magazine | Title: Art: An Enchanting Strangeness | 2/2/1998 | See Source »

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