Word: coloristic
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Catlin was no colorist. His drawing did not approach the swirling dynamism of a Remington; his technique could not compass the majestic grandeur that Bierstadt gave to the Rockies. Many of his figures were cursorily laid in, and many of his landscapes were studded with stylized hills that suggest haste rather than observation. But his candid style has an impact on the modern viewer that Remington's hyped-up romanticism no longer does. His so-called ineptness of drawing has been re-evaluated in the wake of the incisive simplicities of a Douanier Rousseau or even a John Kane...
Pissarro was the least spectacular of the impressionists. An eye used to Monet (and Monet is what many people believe impressionism was all about) will be apt to find Pissarro conservative-more of a tonal painter, almost, than a colorist...
Stylistically, he favors clean, sharp-edged, objective interpretations, free of flourishes and exaggerations even in the most romantic repertory. Some listeners consequently miss a certain warmth and spontaneity in his playing. Although capable of producing beautiful sonorities, he is admittedly not the poet or colorist that, say, Vladimir Ashkenazy is. Nor, despite his limpid, shapely way with Mozart and Beethoven, does he share the Austro-German classical tradition of an Alfred Brendel. Yet everything he does arises from such a deep, individualized conception, and is brought off with such musicality and unforced virtuosity, that it carries its own commanding authority...
DIED. Sonia Delaunay, 94, pioneering modernist painter and seminal designer of the art deco look; in Paris. Ukrainian-born Sonia Terk moved to Paris in 1905 and made a splash as an innovative colorist. In 1910 she married Cubist Robert Delaunay, whose work and thought came to overshadow and fuse with her own. While her painting made its mark only after his death in 1941, she established herself in the '20s by applying abstract principles of color and geometry in designing books, ceramics, costumes for Serge Diaghilev and fabrics for Coco Chanel...
...world saturated by print and photography, it is difficult to be a nai'f; art is too available. Grandma Moses was not un touched by commerce, but nobody could doubt the integrity of her work or the delicacy of her imagination. She was a graceful colorist, seldom candied or sentimental, and never coarse. In those blue-gray distances of field and forest, punctuated by the silhouette of a horse (the creature's profile cut like a weather vane, as though by shears) or the bright red caesura of a barn, one sees the equivalent of perfect natural pitch...