Word: colorization
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Dates: during 1960-1969
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...find the show familiar. By now, it is almost as much a part of the season in Manhattan as the great tree that is decorated every December around the corner in Rockefeller Plaza. Year after year, people come back to see the Nativity as portrayed by Renaissance masters-25 color photographs of delicate accuracy, blown up to the size of the originals. Carols from the 15th to the 18th century provide background music, and visitors can also listen to a taped commentary on Renaissance...
Like the ugly men, the other nice things about this picture are also strange. In its slick color photography, advertising campaign, title and plot, Hot Millions gives the appearance of being yet another film of the glamorous grand robbery mode (Charade, How to Steal a Million, Gambit, et al). But, for all these superficial indications, this movie has little to do with beautiful people or even money. Not only that, but it's a suspense film with little suspense; a comedy with few big laughs; a love story with no flesh. And Hot Millions characters are the kind of people...
...which revolves around the blatantly rich New York market one must dream up a revolutionary original concept of art. There's Jackson Pollock, of course, who gave the physical making process so much more prominence than Mirko ever does. And there's Morris Louis, whose name and stripes of color are better known at Harvard than is Mirko. The action painter, the flat painter, the minimalist, the happening-creator, the sculptor of simple geometric forms at superhuman scale (Tony Smith, for one)--these are the fantastically novel stars...
...power is in the eyes, and the wisdom too. His soul is in those blue nuggets set back deep in their sockets--the only glow of color in his face. His skin is pink and peeled away, the shinylayer that is left to an old man after the epidermis is worn away. He wears a vest that he pulls at, a white starched shirt and a darkly polka-dotted tie. Behind the desk with its law books and walnut, he is only a head, only those blue gems of eyes. But he will stand every 15 minutes or so, walk...
...Jacques (Lola, Umbrellas of Cherbourg) Demy's fabulous Cinemascope musical with a great Michel Legland score and the cast of the year: Catherine Deneuve and Francoise Dorleac pursued by Gene Kelly (looking a young 35) and Jacques Perrin, while Michel Piccoli and Danielle Darieux watch from the wings. The color photography radiates day-light and Demy steadfastly resists all but the joyful aspects of romance