Word: colorizers
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Dates: during 1980-1989
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...simulation has come a long way in the 60 years since Edwin Link, the father of the technology, first used organ bellows and a suspended box to approximate the motion of an airplane in flight. The box has evolved into an instrument-crammed capsule equipped with color video and stereo sound. The bellows has been replaced by electronically controlled hydraulic actuators. And the illusion of motion has become so powerful that it is indistinguishable from the real thing. Moreover, with a few minor changes, the same technology has been used to simulate everything from spaceships to submarines, from armored tanks...
Scorsese, the director of Taxi Driver and The Color of Money, has tried for years to make a film of The Last Temptation. Paramount had planned to produce it in 1983 but backed away, fearing pressure from Fundamentalists. When Universal undertook the project, it hired born-again Marketers Tim Penland and the Rev. Larry Poland to help allay concern about the film among their fellow conservative Christians. The pair marked 80 out of 120 script pages where they thought dialogue or action would be unacceptable, then resigned, they say, after concluding that Universal would not respond to their objections...
...about 14% for an unsecured bank loan. But the loan club may be an immigrant's only source of funds. "I would have spent months convincing a bank that my expansion plan made sense," says a New York City printer from Jamaica who wanted to add a color-lithography machine to his business. Instead, he borrowed $18,000 at 15% interest from a loan club to buy the equipment. As a result, his annual revenues have more than doubled, from $27,000 in 1986 to $59,000 last year...
...Innocence were critical and commercial successes. She became so formidable a literary icon during the 1920s that F. Scott Fitzgerald, invited to meet her, drank more than was advisable to steady himself before his audience with the great lady. As a result, he told off- color jokes. Wharton noted in her diary that evening: "To tea, Teddy Chanler and Scott Fitzgerald, the novelist (awful...
...identifiable American style was one of the great cultural fantasies of the 1950s and '60s. Once found, it was assumed, such a consensus would enable Americans to pit their art with confidence against the School of Paris. And it was found in abstract expressionism and then in color-field painting -- both high styles and, in theory at least, sociologically neutral. Thus, writes Curator Beardsley, there appeared an "unwritten presumption that the nearer an artist aspires to the level of high art, the more leached out will become the ethnic content of the work." Hence the peculiarly airless and circular...