Word: colorizing
(lookup in dictionary)
(lookup stats)
Dates: all
Sort By: most recent first
(reverse)
...many other directors. Early on, there's a scene - even if you haven't seen the movie, you've seen the clip a dozen times - where Paul interrogates a suspect using tough-guy lines from other movies: Heat, Training Day, Jaws, Schindler's List, The Color Purple and finally Willis's own Die Hard. (Willis says, "I've never seen that one.") If the riff is Smith's contribution, it's both a testing and a flattering of his fans, and maybe a peace of meat for the Keviphiles to munch on while enduring the rest of Cop Out. What...
...Still Water (The River Thames, for Example),” the architectural space best enhances Horn’s work. Fifteen close-up color photographs of water encircle the room, and the ICA supplies a sixteenth image with its floor to ceiling view of the harbor. While this could be construed as distracting in some cases, this intrusion of the gallery space prods the viewer to notice the work’s dualities of motion and stillness, change and permanence, and similarity and difference in relation to the Boston Harbor...
Like a piece by influential Minimalist Donald Judd, “White Dickinson” forces the viewer to recognize his relationship with the work, noticing the subtle changes in light and color depending on his position. But unlike Judd’s repeated metal rectangles, all of these bars are separate works, each a different height with a different Emily Dickinson quote embedded in the aluminum. By inserting language, Horn injects her own personality and thus her own hand, breaking the fabricator assembly, non-artistic touch, and industrial mold of Minimalism...
...occasionally less-than-stellar acting can’t detract from the overall sense of magic and spectacle created by the work. “The Lion King” provides the perfect mid-winter retreat to sunny Africa, offering a lush and immersive musical escape to the color and fantasy of an exotic land. —Staff writer Clio C. Smurro can be reached at csmurro@fas.harvard.edu...
...First they have to prove that they can work more efficiently on immediate postquake urgencies like temporary shelter. Port-au-Prince's roads and streets are passable now, many businesses are humming again and the vibrant color of Haitian food markets has begun to compete with the gray ocean of crushed concrete. But so far only about a quarter of the 1.2 million Haitians who lost homes have been given tents (which relief agencies argue are scarce right now on the global market) or plastic sheeting (which those agencies now say is more practical than tents). Sanitation is even scarcer...