Word: colorizing
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Larry Horowitz Breathe deeply! A landscape painter who uses the brush to make poetry. In his use of color and observations of nature, he reminds me of the glorious, magnificent world in which we live. His book lives on my desk...
...which he then crashed into one another, demolition-derby style, to demonstrate how hilariously inadequate they were for describing the world around us. In "Paraguay," for example, he employs the language of industrial production as art criticism: "Sheet art is generally dried in smoke and is dark brown in color. Bulk art is air-dried, and changes color in particular historical epochs." (Barthelme quotes lose some of their magic out of context, like a colorful shell removed from a tide pool.) In Snow White--to which the New Yorker devoted almost an entire issue in 1967--the heroine sighs...
...unidentified people within them. The exhibit—presented by Harvard Real Estate Services in Holyoke Center Arcade through March 4—features pieces by Keina Davis Elswick from the past seven years. Elswick uses portraiture to add an element of the poetic to the everyday. The color blue, a color that Elswick likes for its ability to communicate melancholy, is used throughout her work. The emotion conveyed through the artwork transforms her paintings and their subjects—a woman standing on a winding road, a mother and a daughter, a man with his head in his hand?...
...images of the eggs and nests of various bird species. Photographed from a collection of the Western Foundation of Vertebrate Zoology in California, the pictures attempt to enhance the visual beauty of natural history collections. For example, they emphasize the aesthetic attributes of the eggs and nests, from their color to their architectural design.Though Werby believes that these photographs can be “windows into natural history,” she also admits that artists who depict objects in nature confront the unique challenge of distinguishing their works as art. Purcell says that once an artist has developed strategies...
...remainder, the entire movie is shot in a striking amber tone. Aside from more clearly revealing the lines on Van Damme’s face, the hue also serves to make indoor scenes—like those filmed inside the post office—much darker, while adding color and brightness to the world outside. Complemented by a great soundtrack—especially the Curtis Mayfield-penned Baby Huey track “Hard Times”—the film has a good deal of quality aside from its sustained biographical portraiture.“JCVD?...