Word: colors
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Dates: during 1920-1929
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...contemptous gaze of the present in a reckless fashion which often fails to make allowances for the greater qualities. The true history of the present day seeks for a mean which presents both sides of the picture, that difficult blend of light and dark which composes the ideal color...
...news and composing rooms Il Duce greeted many an old employe by name and by clapping him in fatherly fashion upon the back. Pausing before the ink-stained composing room roller towel he beamed and cried with mock-heroic satisfaction: "It's just as black as ever-the color of a good Fascist shirt...
...great goals those Eastman scientists have ahead of them and toward which progress has already been made-pictures that reproduce objects in their natural colors, and that give the impression of depth as well as of height and breadth. Colored cinemas are already being shown regularly. But they are painful to watch; the colors, notably the reds, do not blend properly. Pictures giving the illusion of three dimensions have also been cast and screened. To behold them, spectators have been obliged to use special and cumbersome opera-glasses. Nonetheless, these are stages on the way to perfect photography...
ETCHED IN MOONLIGHT-James Stephens-Macmillan ($2.50). Variety is color. Etched in moonlight there is no variety-only the alternating black and silver of sparse trees afar off, and the relentless greys of the vegetation underfoot. Striding through this spectral world they come, these three, to the deserted castle, where the jealous lover imprisoned his love and her betrothed. Fugitive, he roams the ends of the earth year after year, tormented by fear and remorse, until at last his cycle of self-recrimination brings him again to the silent castle and the "faces cut by the moon to a sternness...
...wrought by radio lies in the fact that though one address goes to an audience of 30,000,000 the contagion of the crowd is gone. The magnetism of the orator cools when transmitted through the microphone. The impassioned gesture swings through unseeing space. The purple period fades in color; the flashing eye meets no answering glance. . . . We sit in our library, in a room where we are accustomed to study and reflect, where all the surroundings are natural. When we there hear the same man speak we know him better than we could in the crowd. The very tones...