Word: colors
(lookup in dictionary)
(lookup stats)
Dates: during 1920-1929
Sort By: most recent first
(reverse)
...begins to succumb to what might have been effective historical drama. It was written by Maurine Watkins, a young woman who last year attracted attention by a sound piece of debunking called Chicago. She took her material for Revelry from the novel by Samuel Hopkins Adams and for local color she went to Washington, moseyed about the lobby halls, chatted with the politicians, pried, snooped, took notes. To see Miss Watkins, whose beauty is fresh and sweet as the first blush of a primrose, one won- ders how she ever accumulated the authentic mass of profanity let loose...
...when you come to think it over, and Arthur Sullivan's beguiling music can degenerate into oppressive bores. Mr. Ames sees to it that the stage keeps moving. His Mikado skips over huddles of prostrate subjects. His sonorous aristocrat, Pooh-Bah, is tantalized by lively, romping girls. The color combinations change and move, too, so vividly that the performance could fascinate a deaf-mute. Be sides there is a company of actors with unusually fine voices who have understanding hearts for the blithe spirit of Gilbert & Sullivan. Manhattan holds no sightlier, more in- telligent playfulness than theirs...
...with a vengeance. He daubed upon a canvas the weirdest monstrosity conceivable to his infuriated imagination. It showed a crazily proportioned South Sea Island female, mouth crammed to oozing with banana, holding aloft a half-devoured piece of the fruit. In the background gaped a skull. Having splotched every color on the palette over his flamboyant picture, he entitled it, "Yes We Have No Bananas," stuck it in front of his fireplace. "That," said Novelist Smith, with an air of a man who has just done a good lynching, "is thoroughly modern...
...waits publication of his newest book, The Key to Ulysses. Also, he is editing and interpreting Robert Burton's Anatomy of Mel- ancholy. ?Paul Gauguin (1848-1903), was a painter whose art was inspired by the primitive in nature, modified by a theory of sym- bolism in form, color, design. He declared that only in Tahiti, whither he retired, could he find proper stimulation for his work. His enthusiasm for the picturesque South Seas was shared by his good friend, Robert Louis Stevenson...
...habit of writing in the late afternoon until dinner time. He perennially roams European capitals and the U. S. picking up his cosmopolitan types and plots, chiefly in cafés and from hotel managers. His types and plots are everything. The plainest pigments of human nature are sufficient to color up the assorted shapes of the characters and show brightly as they race through skeins of intrigue...