Word: colors
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Dates: during 1930-1939
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...Whitney Museum, a memorial show of the water colors of Charles Demuth surrounded a festive holiday crowd with the soft, rich colors and animated line of a master whom most critics rate second only to John Marin in his medium. Demuth died in October 1935, aged 52, after 20 years of quiet painting in the old Demuth home in Lancaster, Pa. The Demuth tobacco business in Lancaster, founded by a German forebear in 1770. is still carried on there by the family. Artist Demuth studied at the Pennsylvania Academy of the Fine Arts and for several years in Paris...
...musical impressionist like Debussy, Paul Dukas and Jacques Ibert, Ravel worked with combinations of tone as impressionist painters did with blurred combinations of color, got nebulous and exotic effects from his orchestra. He was an eclectic, often deliberately imitated the idioms of exotic or historic peoples, dishing them up in his own particular French sauce. Thus his opera L'Heure Espagnole and his descriptive orchestral works Bolero, Alborada del Gracioso and Rhapsodic Espagnole are built up of Spanish idioms; his La Valse has a Viennese, his Le Tombeau de Couperin an early 18th-Century flavor. A movement...
...burrows under ground. Like the duck, it has a broad bill and webbed feet. Like some snakes, it carries venom (male only, in a spur on its hind leg). And it has a beaver-like tail which makes it seem double-ended. Its fur is coarse, runs in color from dark brown to silver grey. No woman would choose it for its beauty or usefu1ness...
...such miscellaneous items of local color, scenic grandeurs, natural wonders and plain facts, the U. S. guides of the Federal Writers' Project are compounded. With 42 big books already published, 20 now on the presses and some 200 more planned or in preparation, the Federal Writers' Project has become in the last few months the biggest literary job ever undertaken...
...left the workshop, Stradivari continued to imitate Amati's small, yellow-varnished models, then began to experiment with a style of his own. At the age of 56, when most men begin to take things easier, Stradivari painstakingly evolved an entirely new model, broader and darker in color than the Amati. All his life he had been a feverish but carefully slow worker; his later years showed no letdown. Though some of his last fiddles bear the marks of an old man's failing eyesight and trembling hands, the instruments he produced after...