Word: colors
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Dates: during 1930-1939
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...miles from my home there is an imaginary line. . . ." With these words Pennsylvania's Governor George Howard Earle last week startled 600 members of Washington's Southern Society dining in the Willard Hotel. His hearers, being Southerners, supposed at once that he was referring to the color line. Only two years ago his Legislature passed and he proudly signed a law giving Negroes equal rights with whites in all Pennsylvania's hotels, shops, restaurants, theatres (TIME, Aug. 12, 1935). Useful as that law has been in winning Negro votes for the Democratic ticket in Pennsylvania, today, when...
Thereafter he had only the kindest words to say of that section of the U. S. which reveres both the Mason-Dixon and the color lines: "Was it not the Solid South, bulwark and Gibraltar of Democracy, that gave us Franklin Delano Roosevelt as President of the U. S.?* I need not tell you how that solid, united support of the South saved our Nation from destruction. . . . It was a Virginian, George Washington. . . . It was another Virginian, Thomas Jefferson. . . . It was Old Hickory Jackson, from Tennessee. . . . We need, above all else, peace. . . . Our great Secretary of State, Cordell Hull...
Over the jagged rim of the Atlas Mountains, which cut diagonally across the bulge of northwestern Africa, live the Tuaregs, fiercest of North African tribesmen. Known as the Blue Men, the Tuaregs swath their bodies in robes of cheap indigo-dyed cotton that dyes their skins a permanent blue color...
...Sandringham (see cut). Worried questions about Jock were among the last words King George ever spoke. It was Jock, with stirrups reversed, who followed his master's coffin from Sandringham House to the railway station. Sure to become one of the most popular of all Artist Munnings' color plates, the portrait of George & Jock was not Artist Munnings' only contribution to the Academy. There was one of his usual, impeccable race horse scenes, and almost identical to George & Jock in composition was a study called The Polish Rider, showing a longhaired man in a knitted cap & muffler...
...probably a good thing for Renoir that before he was 18 he spent several years painting china for a Paris firm. A strong sense of how well clear colors looked on a light ground kept his later painting from dissolving into the atmospheric ultimates of the Impressionists, though he became as sensitive as any of them to the color effects of sunlight. When Painting china kept his color from dissolving. Renoir painted the summer gaiety of his friends he filled his canvas with flowing light and color, composed contented, decorous figures moving softly, if at all. Three of his best...