Word: colors
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Dates: during 1930-1939
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...goes on forever. Meanwhile, art appreciation in the U. S. has come of age with a bang. In 1939 a barrage of art books has been aimed at the public taste. Biggest is Thomas Craven's A Treasury of Art Masterpieces,* a portable gallery of 144 color reproductions ranging from Giotto to Grant Wood. Most aggressive is Peyton Boswell Jr.'s Modern American Painting,† which is as nationalistic as the Spirit...
More eloquent for the cause of U. S. art than these polemics are the 85 color reproductions of U. S. canvases in Modern American Painting, the 16 in A Treasury of Art Masterpieces, which show that for art popularization nothing can take the place of color except better color. Grant...
...National Automobile Show opened in Manhattan in a blaze of color (see p. 90), with new models, lower prices, promises for a big year, with General Motors' Alfred Sloaa the U. S. No. 1 automaker...
...black and white reproductions-and television cannot yet transmit color-Charles Sheeler's dryly accurate paintings can scarcely be told from his camera studies of similar scenes. Visitors to the Museum of Modern Art's show could more readily distinguish between his canvases and photographs, see also his drawings and industrial designs. Stoop-shouldered, scholarly Artist Sheeler, 56, likes to paint barns, skyscrapers, old furniture, factories. All these meet the Sheeler fondness for functionalism. Ignored in his paintings are men and women-inefficient machines capable of measuring the stars...
Driving through Boston, Mass., one James J. Behr listened attentively to a broadcast of Information Please, obediently shut his eyes when he heard Master of Ceremonies Clifton Fadiman ask the guest experts to shut their eyes and tell the color of their ties. The experts knew and the sponsors paid nothing. Mr. Behr, who also knew, hit the car ahead of him, paid...