Word: colors
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Dates: during 1960-1969
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...plan and execute such a project, it is necessary to have shooting scripts much like those of a movie company on location. The staff that charted the course for the photographers and produced the color pages included Senior Editor A. T. Baker, Researcher Andrea Svedberg, Washington Correspondent Jerry Hannifin and Picture Editor Arnold Drapkin. The accompanying story is the work of Science Writer Leon Jaroff, Researcher Fortunata Vanderschmidt and Senior Editor Peter Martin. Their combined efforts made possible TIME'S trip this week into the "inner space" of the sea around...
...have not, in fact, won over a single American defector, while 27,178 Viet Cong and North Vietnamese defected last year. G.I.s flatly mistrust Viet Cong promises. "I've seen enough of their brutality," says Negro Medic John Crews, "to know that the V.C. draw no color lines in their killing or mutilating American soldiers-black or white." When it comes to standing up to Victor Charlie, there is no color difference among U.S. troops...
...pumps; Sinclair offers up to $2,500 to customers who match up coupons to spell out a slogan in its "Dino Dollars" contest. With no requirement that the driver buy gas (thus ensuring that the games will not be classified as lotteries) and with prizes including watches, luggage, color-TV sets, automobiles and up to $10,000 in cash, the oil companies' 304 different current giveaway contests would seem like hard acts to knock...
...cameras when and where there was something interesting to shoot. As the autumn foliage turned, Kuralt appeared on Walter Cronkite's Evening News with a two-minute film report from a leaf-strewn country road in Vermont ("It is death that causes this blinding show of color, but it is a fierce and flaming death"). While rolling through Ohio in November, Kuralt noticed that every town in the area except Harrisburg (pop: 360) was plastered with campaign posters. This led to an account of a town that was holding an election but "managed to escape all the unseemly excitement...
...Blake and Turner. How strikingly they and other British artists staked out the realm of the new sensibility in the Romantic era can be seen in a display of 236 oils, watercolors and drawings, assembled from collections in America and Europe, now at the Detroit Institute of Arts (see color pages). "British Masterpieces," which will be shown at the Philadelphia Museum of Art, pays little more than lip service to the aristocratic portrait and the studied landscape, the established prides and prejudices of English art. Instead, the era's sense and sentiment is often best il lustrated...