Word: colors
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Dates: during 1970-1979
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Mahler: Symphony No. 1 (Boston Symphony Orchestra, Seiji Ozawa, conductor; Deutsche Grammophon) Symphony No. 6 (Berlin Philharmonic, Herbert von Karajan, conductor; Deutsche Grammophon; 2 LPs). Ozawa's intensity is ideal for the extreme contrasts of the stormily triumphant first symphony. Conducting the grim, immense sixth, Karajan draws amazing color from the orchestra. The slow third movement is a lovely idyl amidst the gloom...
...period divides into two sub-movements. Gestural painters like Jackson Pollock and Franz Kline energized their canvases with wild brushstrokes, and textured their surfaces by building up their paint. The color-field painters, notably Mark Rothko and Barnett Newman, articulated their sufaces with two or three areas of unruffled color...
...abstract expressionism. Hans Hoffman's "Blue Rapsody", not one of his better efforts, dominates one wall of the gallery and features fire-work burst of paint. Hoffman who was probably more influential as a teacher than as a painter during his lifetime, generally filled his canvass with intense, vibrant color...
...artistic fulfillment. But even if "Figure" provides a good academic lesson, any show of abstract expressionist work is incomplete, as this one proves, without a mature Pollock to epitomize the nature and aims of the period--an expression of the unconscious through the emotional versus formalist use of color, line, paint and abstraction...
...this is largely due to holes in the Fogg's collection. Both the Hoffman and the Motherwells are weak and the absence of the Pollock doesn't help things either. In addition, the show suffers from a lack of any work by Barnett Newman, a major figure on the color-field side of abstract expression. Though the Mark Rothko is an example of this school, it hardly compensates for Newman's absence. On the positive side, the show is well exhibited, and it is a nice surprise to see what the Fogg can fish out of its storerooms when...