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Also beginning Monday, May 20, the students in the School of Architecture will hold an exhibition in Robinson Hall, showing their work in freehand, life drawing, water colour, etc. On the basis of this display will be awarded the Eugene Dodd Medal which is given annually to the best student in freehand and water colour in a given year...

Author: NO WRITER ATTRIBUTED | Title: SCHOOL OF ARCHITECTURE TO PRESENT EXHIBITIONS | 5/17/1929 | See Source »

...election itself. True, the Times correspondent emphasized that there was no violence at the election; but it would be somewhat naive, to say the least, to assume that therefore the election was a fair one. Whether the ballots were exactly alike, and not distinguished from each other by colour or in some other way, whether people voted in the same booths for both candidates, these and similar "details" are not known. Yet without such details it is impossible to say whether the elections were free...

Author: NO WRITER ATTRIBUTED | Title: ITALIAN SUFFRAGE AROUSES COMMENT | 3/29/1929 | See Source »

...gala crowd of some five hundred people attired in costumes ranging from the prehistoric to Victorian and modern ties, were on hand to lend colour to the spectacular fire in the Iroquois Club, early Saturday morning about 3.30 o'clock...

Author: NO WRITER ATTRIBUTED | Title: Iroquois Fire Draws Gala Crowd in Early Morning Festivity; Conflagration Conceived in Sin or Sorrow is Current Tale | 3/25/1929 | See Source »

...Spaulding has lent some of the very fine things in the exhibition. His pictures--eighteen in all--have a general high level of quality. His "Still Life" by Matisse is a daring picture. The artist is interested only in colour and pattern. It is subtle and defies accepted rules. On analysis it proves, like some of the most interesting music of the period, to be made up of discords of color rather than harmonies...

Author: NO WRITER ATTRIBUTED | Title: COLLECTIONS -- and -- CRITIQUES | 3/12/1929 | See Source »

...Life by Cezanne from the Birch-Bartlett Collection in the Art Institute of Chicago. In this, as in the landscape ("Tournant de Route a Auvers") lent by Mr. John Nicholas Brown, Cezanne is shown as the searcher of new paths and rhythms. The modelling is done by means of colour...

Author: NO WRITER ATTRIBUTED | Title: COLLECTIONS -- and -- CRITIQUES | 3/12/1929 | See Source »

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