Word: coltishly
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Dates: during 1970-1979
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Woman of the Year. Early in the movie, Katharine Hepburn raises her skirt above her knee and shows her long, long leg, enough to drive sane men crazy. Her beauty hit the transcendent point in this movie. Before she had been coltish and jagged, but with Women of the Year she entered a new class which she shares with no one. (When I think of her, I quell.) This was the first of her movies with Spencer Tracy. Their later works were wittier and smoother, but nowhere did the chemistry match the sexiness of this first picture which was made...
...like a serious ensemble rather than the pickup assortment that often accompanies dance. The Australians are a very handsome company. The girls are among the prettiest dancers around; the men are tall and athletic. John Meehan, who plays Count Danilo, the rich widow's reluctant lover, is positively coltish. He carries off the evening with blithe bravado, swinging Dame Margot around in reckless waltzes or flinging her high with one-arm lifts. Meehan will never be the partner Help mann was, but he embodies the insouciance that is the production's most en dearing quality. This Merry Widow...
Margaret's roller-coaster romantic history goes back to the 1940s, when, as a coltish teenager, she developed a serious crush on Group Captain Peter Townsend, a handsome World War II flying hero and aide to King George VI. The crush developed into a full-fledged romance. When she was in her mid-20s, and Townsend had divorced his wife, a wedding seemed to be the next thing on Margaret's agenda. But Queen Elizabeth, as head of the Church of England, could not sanction the marriage of her younger sister, then third in line to the throne...
Baryshnikov is a fine actor as well. He takes open, youthful joy in being onstage, while respecting what he calls "the sensitive weave" of the work's overall design. His Albrecht in Giselle, for example, is a coltish kid in love with the idea of love, touchingly unable to comprehend that, as a nobleman, he just cannot have this terrific peasant girl. He excels at shrewd, straightforward comedy. In Frederick Ashton's Les Patineurs, the dancers appear to be on ice skates. Misha seems about to fall over backward at times-a mime performance that Marcel Marceau might...
...self and its own ignorance." She is also physically stirred by Cogan, a shaggy "Montaigne in love beads, discarding whole areas of Western culture that do not serve him." Laura counterattacks with her "small focus of self-knowledge, the sweep of history," watches her admonitions founder against his coltish arrogance and her own proliferating self-doubts...