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Critics have said that some patterns show Pre-Columbian influence, but Mirko denies this. And Mirko's patterns are less mazy and diffuse than those of often hallucination-inspired Pre-Columbian...

Author: By Nina Bernslein, | Title: Mirko at the VAC: A Magical Mystery Tour | 11/25/1968 | See Source »

Second, one wonders whether he could adapt his theories of the Affluent Society sufficiently to mollify the abusive Harvard Society of Masochists. One hopes so: imagine Galbraith, immaculately tailored, swinging his walking stick against the hardwood, cursing at Jack Rohan's Columbian technocrats. "Gallagher," he might say, "you must maximize your scoring output without University...

Author: By Richard D. Paisner, | Title: SPORTS of the 'CRIME' | 3/8/1968 | See Source »

...unique style thus developed under the tutelage of immigrant European craftsmen became known as mestizo (half-breed). It incorporated Christian and pre-Columbian conventions and beliefs, even included Oriental designs (copied from wares that had been imported via Pacific trade routes). The results were too precocious to pass for primitive, and not subtle enough to claim genuine sophistication. But as two current displays of post-Columbian Peruvian art testify, at its best the mestizo style was both lyrical and inventive (see color opposite...

Author: /time Magazine | Title: Crafts: Half-Breed Brilliance | 3/1/1968 | See Source »

...display, they range from a turquoise pre-Columbian mask from the Mixtec culture of Mexico (A.D. 1220) to a bargain Rembrandt, An Old Man Praying. The Rembrandt was picked up for an estimated $500,000 because other buyers were distracted by the painting's murky appearance (Cleveland has since removed the layers of umber-tinted varnish, bringing the Rembrandt back to mint condition, and dumbfounding Dutch experts who had seen it before and after cleaning). Even choicer to the connoisseur's eye are Cleveland's two ivories and, rarest of all, an engraving by Antonio Pollaiuolo...

Author: /time Magazine | Title: Art: Anatomy Lessons & Elephant Tusks | 12/29/1967 | See Source »

Originally constructed as part of the 1893 Columbian Exposition, the Art Institute has reflected the city's tastes and interests for seven decades, and fell on hard times only in the 1950s, when lackluster leadership led to a period of inaction and interoffice intrigue. Under Cunningham, probably the only museum director who ever played center on his college football team, the museum has snapped back, with attendance up a remarkable 559,000 last year, to a total of 2,516,000, and membership at an alltime high of 38,769. Cunningham means to capitalize on the revival of interest...

Author: /time Magazine | Title: Arts: Museums: Illuminating the Impressionists | 12/1/1967 | See Source »

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