Word: columns
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Dates: during 1960-1969
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...most striking displays of this problem comes from James Reston, executive editor and columnist for the New York Times. Last Sunday, in a column entitled. "The New Pessimism: Is It Justified?" he argued that things in America aren't so bad after all, despite all the things his reporters have been writing in his very newspaper...
...editor waging his fearless and lonely fight against prejudice has become a journalistic stereotype. Yet the death last week of the Atlanta Constitution's Ralph McGill, two days before his 71st birthday, was a painful reminder of just how rare such men are. For four decades his daily column caressed the South with his love, lashed it for its faults, served as its conscience. Surveys repeatedly rated him as both the region's best-liked and least-liked writer-but always the most read. Even his haters could not ignore him, because, as one of his admiring colleagues...
Ralph McGill was no crusader. He considered his columns and editorials to be merely common-sense appeals to the humanitarian impulses of his fellow Southerners. A softspoken, always courteous man, he preferred understatement. He put down Alabama's Governor George Wallace's 1963 defiance at the schoolhouse door as "a little man standing alone in his diminishing circle." Fittingly, his last column, an open letter to new HEW Secretary Robert Finch, was a low-key plea that the Federal Government not yield to Southern plans to perpetuate dual school systems for Negroes and whites. "The freedom of choice...
...investigations. No matter what the outcome of the inquiries, the battle itself has put French businessmen on notice that the old days of secrecy, silence and short-changed stockholders have faded. From now on, even the most tradition-steeped French managements will have to produce results in the profit column or face the possibility of another such flamboyant takeover attempt...
Designed by Architect Lina Bo (who is Director Bardi's ex-wife), the building is in effect a box suspended from four giant concrete piles spanned by huge concrete beams. This construction allows for column-free interiors where the paintings are supported in airy space on what amounts to a series of transparent plastic easels...