Word: comas
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Dates: during 1970-1979
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...course, success has not followed every member of the class. One died in 1965 while fighting in South Vietnam. Another had a heart seizure in 1974 and went into a coma until mid-1976. When he awoke, his wife had divorced him, and his business had collapsed. A member of the DuPont family in the Class of '54 filed the largest personal bankruptcy claim in United States history in 1971 and is now in the joke-writing business...
...What does your analyst say?" It is the man's first, natural response when the handsome woman tells him she is going to return to her last lover. Since she is on a first-name basis with the doctor, she replies: "Donny's in a coma. He had a bad acid experience." She sees nothing unusual in this. What do medical ethics or traditions weigh when measured against modishness...
...Michael Crichton's The Great Train Robbery comes during the first 15 minutes of the film: Leslie Anne Down slips off her stockings, sticks her rear end into the camera and slides vertically over Sean Connery into bed. Visually, this evokes a shot in Crichton's last film, Coma, where Genevieve Bujold slipped off her stockings, stuck her rear end into the camera and climbed a ladder. Crichton is a clever man, a Harvard graduate; those pretty rear ends may be his way of saying, "Shit on you, folks...
...cold blood. The funniest gag in the movie involves a decomposing cat. Nothing new for this butcher. In Crichton's Westworld, the most satisfying fantasies are also the bloodiest--robots blown to bits; one remembers brains being sliced up, organs flung about, dead bodies on dissection tables in Coma; now, Crichton gets his kicks injecting sadism into kiddie-movies. Bleah...
Such moments aside, The Great Train Robbery is a curiously enervated affair. In his previous films, Westworld and Coma, Crichton has shown a gut instinct for creating nasty suspense. His movies looked sloppy, but fiendish humor and scare tactics helped paper over the visual lapses. Train Robbery, paradoxically, looks gorgeous but lacks bite and narrative rhythm. The thieves carry out their complex scheme in a series of repetitive, evenly paced sequences, most of which involve the hijacking of keys to a safe. When you've seen one key theft, you've seen them all. The robberies...