Word: combated
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Dates: during 2000-2009
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...news to no one. What is surprising, though, is that this issue has persisted despite its acknowledgment by students, professors, and the media. This may be because the obvious solution—grade deflation—is both unpalatable and difficult to implement. Instead, a more positive way to combat grade inflation and reward students for exemplary academic work would be to raise the grading scale to include A-pluses...
...Afghan National Army (ANA) comprises some 94,000 troops, although even by the official numbers, only half of those are combat-ready. The reality of the recent U.S. and British operations in Helmand province, however, suggests that a lot fewer may be capable of being deployed to fight effectively alongside NATO forces, much less on their own. The desertion rate of troops trained in the ANA stands at 20% - and is reportedly even higher among forces deployed in combat. Afghan field officers are in short supply, and the top echelon of the officer corps is dominated by ethnic Tajiks...
Through the use of intense live-action shots along with extensive yet tasteful use of CGI, Woo successfully captures the enormity of the war scenes as well as the immediacy of one-on-one combat and melee face-offs. The sheer vastness of Woo’s Chinese navy and army—with tens of thousands of ships extending past the horizon—encourages a dizzying suspension of reality. Whether witnessing enemy horses blinded by mirror-shields, naval ships destroyed by suicide fireboats, or diseased, dead soldiers floated across to the enemy’s shore to infect...
...cavalry horse’s perspective or from the tail of a dove—meet well-timed slow motion sequences. The soldiers’ dull armor and the tan sands on which they travel create a stunning contrast with the bright, multi-colored banners they carry into combat. For the most part, Woo eschews loud, crashing music in favor of delicate, melodic Chinese stringed instruments, which are often played by characters in the movie...
...year is 1966, and despite England’s successful production of some of the most famous rock ’n’ roll bands in the world, the national British radio only plays two hours of the music per week. To combat this, a group of DJs have established a radio station on a small freighter in the middle of the North Sea. Here they cohabitate while playing rock ’n’ roll 24/7 with a listener rate—according to the film—constituting half of the country’s population...