Search Details

Word: combos (lookup in dictionary) (lookup stats)
Dates: during 1960-1969
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Usage:

...combo (Robert Cavicchio '66, R. Terry Ney '66, Clair Burrill '66, Frank Werner '66, and Dave Conners, a B.U. student) has also cut some records for Decca . . . . which wants the group to change its name for their record album...

Author: NO WRITER ATTRIBUTED | Title: Eyes Pop as Oedipus Rocks | 10/16/1965 | See Source »

SOUL SAUCE (Verve) features the brittle tracery of Cal Tjader's vibes and some Cuban percussion. Tjader plays in Latin dance halls, and his combo maintains a steady, inesthetic drive in pieces like Afro-Blue, Tanya and Joao...

Author: /time Magazine | Title: Television, Records, Cinema, Books: Oct. 15, 1965 | 10/15/1965 | See Source »

With "nothing much to do," the four Manhattan girls (average age: 24) organized a rock 'n' roll combo called the What Four, designed wide-wale corduroy jump suits for themselves to wail in, tailored a couple of rock tunes to order, and then, reading success in a lot of tea leaves, invited a movie photographer to film a documentary of their "inevitable" jumping to fame. The What Four: Lillian Pogan on lead guitar, Elizabeth Burke on drums, China Girard on rhythm guitar, and on bass guitar, Diane Hartford, wife of A. & P. Heir Huntington Hartford, who invited...

Author: /time Magazine | Title: People: Oct. 1, 1965 | 10/1/1965 | See Source »

ANDREW HILL: POINT OF DEPARTURE (Blue Note). This is a highly individualistic combo with a strong visceral sound. The standout is the late saxophonist Eric Dolphy, who easily steals the record from Hill with searingly emotional solos, and stimulates Joe Henderson (tenor sax), Kenny Dorham (trumpet) and Richard Davis (bass). Hill believes in arrangements that give free rein to his musicians' personalities and their ways of extemporizing; on this disk he has achieved a memorable ensemble...

Author: /time Magazine | Title: Television: Sep. 3, 1965 | 9/3/1965 | See Source »

Anatomizing Mother-in-Law. Rivers started out as a jazz musician. He studied at the Juilliard School of Music, plays the saxophone with a jazz combo called the Upper Bohemians. But shortly after being discharged from the Army Air Corps in 1943, he signed up in Hans Hoffmann's painting classes. Rivers proved a hip but argumentative pupil. The canvas rectangle was then viewed as a neutral battleground whose every square inch must show the vital push and pull of his artistic struggle. How was it, Rivers wanted to know, that the greats of the past were good even...

Author: /time Magazine | Title: Art: The Quipster | 4/16/1965 | See Source »

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