Word: come
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Dates: during 1920-1929
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...went to the Ritz. People of importance were there. But I wrote no story, for it was a ball in honor of such as me." So said many a young woman, clever with her typewriter, as she removed her satin slippers early one morning last week. She had come home from the sixth annual ball of the New York Newspaper Women's Club at the peerless Ritz-Carlton...
...their genial reincarnation of Mr. Shakespeare's somewhat fleshly comic strip, Mrs. Fiske and Otis Skinner brought their efforts to Broadway for a limited engagement. Nobody could deny that Mr. Skinner was a sly and waggish Falstaff, nor could anyone suggest to Mrs. Fiske that the time had come for her to retire. All in all, their performance was good enough to make it clear that Shakespeare, when played at all, ought to be played in modern clothes and that a little less roguishness and a little more polish would have made this fairly funny comedy far more laughable...
...musical world. Critics rarely take them seriously-but Kreisler was a prodigy, so were Heifetz, Mischa Elman. Young Yehudi Menuhin has supplied the best violin copy of the season. Another child won serious attention last week. He was Miguel Candela, 12-year-old prize-winner of the Paris Conservatory, come to Manhattan for his U. S. debut. Critics found him better than the average prize-promising student, gave unstinted praise to the virtuosity of his twelve years, the maturity of his conceptions...
When the 1200 cadets at West Point come to Boston on October 20 to witness the Harvard-Army game in the Stadium they will give an exhibition parade and drill on the Boston Common if the plans of Governor A. T. Fuller and Secretary of War D. W. Davis '00 go through...
...Another thing that makes people come to see a musical comedy is a number of well-known names in the cast," she went on. "The people who play in it, besides being important, must also be young and attractive. And you will notice that the plot of nearly every musical comedy this year has a youthful appeal. This year producers have tried to combine all these qualities, together with good comedy, and as a result only three musical comedies have failed in New York this season, while the drama, operetta, and revue have not had any remarkable success...