Word: come
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Dates: during 1960-1969
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...course, I've no way of knowing if The Hostage comes to anything like "approximating the Irish character, "but that really doesn't matter since, in any case, The Hostage is a play which refuses to be judged by any consistent set of standards. If it must be genre-ized, it would probably come fairly close to being a bawdy, Gaelic Kaufman and Hart with a bit of Brecht thrown in--a description which however enticing it might look as a publicity blurb, still ignores the fundamental fact that this play is basically an extended music hall entertainment...
Reasoner, talking about bridges as cam eras frame the Verrazano Narrows span across New York harbor: "Man has made a sewer of the river and spanned it with a poem." Reasoner discussing Americans' fascination with automobile races: "They don't come to see a crash, but if there were never any crashes they'd never come," Because of such commentaries, Harry Reasoner is widely recognized for his wit and perception; in 1966 he received a Peabody Award for his droll television essays. Reasoner is indeed wit ty and perceptive, as he shows in the radio...
Among the black novelists now writing, though, John A. Williams has come as close as any to putting into fictional terms the experience of being black in America. Williams' secret: his characters are human first, black second. In The Man Who Cried I Am, for instance, the problem of surviving as an artist was treated as carefully as the problem of surviving as a black. Williams' protagonist was a writer who happened to be a black as much as he was a black who happened to be a writer...
...most Americans, depressed and confused by what is already the longest, most complicated war in the nation's history, the words Southeast Asia have come to mean just one thing: Viet Nam. Yet in the long run, the political and economic development of the area's other nations, with their 250 million people, may prove more important to the stability of all Asia-and the world-than the bloody ground where the fighting now rages. Asserting this point, Robert Shaplen, The New Yorker's veteran correspondent in Asia, ventures beyond Viet Nam to invoke the longer perspectives...
...thesis of this protest-placard of a book is that the time has come for man to stop tugging his forelock before the nonexistent authorities of the universe and openly admit that he will not settle for anything less than divine everlasting life...