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...amount of artistic control given to student graphic designers also varies. “It really depends on the director. Some have very specific visions for the posters, and we’ll meet several times to replicate those images as closely as possible, and others simply come into a meeting with me with a general feeling about what they’re looking for,” Ding said. Ding’s latest project, creating the poster for the HRDC’s upcoming production of “The Pillowman,” actually involves a small...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

...being a little adolescent. Of course, we want to be free on some level from institutional constraints and not only institutional but social determination. Art is a space of freedom where you can invent yourself and the world. [But] artists can’t invent meaning themselves. What works come to mean and how they exist in the marketplace and history is external to our control. That for me was the radical recognition now associated with institutional critique. If one thinks of this in this manner, it can go two ways. One was even more of a reaction: once...

Author: By Kristie T. La, CRIMSON STAFF WRITER | Title: Spotlight: Andrea Fraser | 3/30/2010 | See Source »

...Goldfrapp’s most innovative or exciting production yet, it’s a near perfect soundtrack for a retro dance party. After Goldfrapp’s sudden detour into a downtempo, folksy, ambient haze on their last album, the ever-changing duo have come back to life. It’s just a little disappointing that this new life is so fervently fixed in the past...

Author: By Sarah E. Rich, CONTRIBUTING WRITER | Title: Goldfrapp | 3/30/2010 | See Source »

Other student designers, however, come to Harvard with some familiarity with graphic design software. “In high school, I did a lot of journalism,” explains Ding. “My high school was fortunate enough to print a color newspaper with broadsheet, so that’s how I started working with Photoshop and InDesign.” Hsieh jokes that he started doing graphic design work before Harvard because “I just don’t like ugly things.” On a more serious note, he added...

Author: By Clio C. Smurro, CRIMSON STAFF WRITER | Title: Deconstructing Design | 3/30/2010 | See Source »

Compared to what is to come, however, this opening sequence is practicallynormal. Moments into the performance Margaret C. Kerr ’13, playing Leah, interrupts the play-within-a-play with an abrupt “Stop! Do my play!” before handing the manager a script—successfully hijacking the evening...

Author: By Daniel K. Lakhdhir, CRIMSON STAFF WRITER | Title: Absurdity Obscures Meaning, Not Experience | 3/30/2010 | See Source »

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