Word: comes
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Dates: during 1970-1979
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...major alterations in The Who is that for years there has been no breaking of instruments. "Sometimes I got the feeling," says Entwistle, 35, "that the people wished we would just come out, smash up the lot and leave." An additional, sadder change occurred when Keith Moon died of drug overdose at 31; he was replaced on drums by Kenny Jones, 31. The group still puts My Generation across with enough swagger and insinuation to get you giddy or make you feel like you are being stalked down a dark street. When Townshend, 35, called himself "the aging daddy...
...Daltrey says, The Who is like a family, then Kenny Jones is still perhaps the orphaned cousin from overseas who has come to start a new life. "The others were a bit arrogant at the outset," Jones reports. "We'd start playing one of their songs, and they'd be shocked I didn't know it. But why should I know Who songs? I had my own band." After a decade and a half spent playing and warring together, the three senior Who members may be like brothers, but with undercurrents of the Karamazovs and an overlay of the Dalton...
...greatest bloody triumph of my schooldays was when Roger asked me if I could play guitar," Townshend recalls. "If he had ever said, 'Come out in the playground and I'll fight you,' I would have been down in one punch. Music was the only way I could ever win. But I've despised him ever since...
...always breaking up fights," Entwistle remembers, "pulling Roger off somebody, usually Pete. Keith and I were fed up with all the punching, and with Townshend's being so bigheaded, thinking he was a bleeding musical genius." Moon and Entwistle had eyes for a new group, and had even come up with a name and a rough design for an album cover. It was abandoned when Moon and Entwistle returned to The Who soon after the quarrel, but the idea was not entirely forgotten. The name of their projected group, along with similar artwork, appeared on an album...
Fewer than 20% of the Cincinnati tickets were for reserved seats. The rest were for so-called festival seating, a sort of first-come-best-seated system that many of the country's major rock venues have long since given up as unworkable. Says Tony Tavares, director of the New Haven Coliseum where The Who will play this week: "When you sell a general admission ticket, you're challenging your crowd to get to the best seats in the house first. You're creating a system of pandemonium." New York City's Madison Square Garden, which...