Word: cometh
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...unique about the Old Vic is that you know you've got them. You can feel it. And when it's silent, it's silent." Except, that is, when mobile phones start ringing, as happened once too often during a performance of Eugene O'Neill's The Iceman Cometh at the Old Vic in 1998. "It was at a particularly inappropriate, quiet moment," Spacey says. "I looked up - you don't usually want to do this, but it had been building up for weeks - and said as loudly as I had said anything on stage: 'Tell them we're busy...
...flush out the Chechen separatists Russia says are hiding there. Shevardnadze spurned Russia's suggestion of a joint operation against the Chechens: "We will solve our problems on our own, and the Pankisi Gorge will become one of the country's exemplary and stable regions." MEANWHILE The Axman Cometh Guests at a British banker's 50th birthday party at a ch?teau in the south of France were surprised when "a very special guest" came on stage to play guitar - Tony Blair, with his shirt raffishly unbuttoned. Blair, who played in a band at Oxford called Ugly Rumours, belted out vintage...
...that the Brits, when they are at the top of their game, can't still hit one out of the park. Howard Davies' masterly production of The Iceman Cometh a couple of seasons ago revitalized the Eugene O'Neill war-horse for a new generation. Former National Theatre director Richard Eyre is currently presenting a powerful Broadway revival of Arthur Miller's The Crucible, with a ferocious starring performance by Irishman Liam Neeson...
When we think of Eugene O’Neill, we tend to think of his cheerful, laugh-a-minute celebrations of life like The Iceman Cometh or A Long Day’s Journey Into Night. Though you might not know it, O’Neill also had a more serious side to his work. The Great God Brown, currently playing on the Loeb Mainstage, considers love, hatred, friendship, betrayal and the intensity of the human experience. Whew...
...theater. JASON ROBARDS' performance was powerful and raw, and his naturalistic style stuck in my mind. I ended up at the same acting school he had attended, and in 1960 we did a TV movie of the play that had made him famous, Eugene O'Neill's The Iceman Cometh. We hit it off right off the bat, and he was extremely generous to me. In the play, when his character meets mine, he says, "We're members of the same lodge--in some way." Because of our personal connection, he invested that moment pretty heavily, and I'll never...