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...year-old kid sister who becomes pregnant; Napoleon, her kid brother who dreams of becoming a Navy bombardier; Chuichi, a bitter boy who has been summarily dropped out of an American Army paratroop unit. Harold, a literate older brother, irreverently sabotages the ultra-patriotic camp newspaper by inventing a comic-strip character known as "the Nippon Pimpernel." Against an otherworldly background of Screenland magazines, Baby Ruth candy bars, and zoot suiters jitterbugging to the music of "the Jive Bombers, the true Mi-kados of swing," camp life is not all camp. The prisoners are soon polarized into two groups...

Author: /time Magazine | Title: Books: The Dickens in Camp | 7/4/1969 | See Source »

...Comic-strip buffs, science-fiction fans and admirers of the human mammae will get a run for their money in Barbarella and will probably provide Barbarella with enough money for a run. Other moviegoers need take no notice. The only break-throughs in this husband-and-wife collaboration of Actress Jane Fonda and Director Roger Vadim are made by Miss Fonda's shapely torso through an assortment of body stockings...

Author: /time Magazine | Title: New Movies: Sex Odyssey, 40,001 | 10/18/1968 | See Source »

...experience. But too often, Wolfe, dressed for the role in orange or off-white suits, merely seemed like an action-painter-writer recklessly ravaging the retinas with pastel word-blobs. Was he freaking out at the reader's expense? Was he in fact a social critic using a comic-strip writer's approach or a flack for pop cultists? A high priest of the gadgetry gods or the Walter Pater of contemporary esthetics? His two new books, bursting simultaneously like a couple of hot spray cans of Mace, suggest that the answers...

Author: /time Magazine | Title: Books: Tom Wolfe and His Electric Wordmobiles | 9/6/1968 | See Source »

Strictly speaking, the option in most of these cases is to enter into the fun-or leave it alone. But several of the objects have been so intricately put together that they offer the viewers some real variants to work with. Oyvind Fahlstrom sets up panels dotted with comic-strip and newsclip images mounted on magnetized blocks; these can be moved around at will. The result, Fahlstrom suggests, is to produce the "elusive-mysterious quality of a never-fixed work of art." Gerald Oster's Instant Self-Skiagraphy permits the viewer-participant to make shadow pictures with his hand...

Author: /time Magazine | Title: Exhibitions: Now, Op Is for Options | 7/19/1968 | See Source »

...essence of the film, though, is not in the comic-strip chiaroscuro of its plot but in the fun Director Jaroslav Balík and his cast have with their caricatures. Rudolf Hruŝínsky turns in a burly, brachycephalic performance as the ape man, first delighted by the apparent selflessness of humans-who do not fight for food at a reception and talk constantly of altruism-then horrified at the superjungle that gives the lie to their platitudes. "People, what are you doing?" he cries as the assorted forces of evil tangle in, around, up, down and through...

Author: /time Magazine | Title: New Movies: The Death of Tarzan | 7/19/1968 | See Source »

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