Word: comic-strip
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...Wave, began the festival with his most recent film, Alphaville. His hero, Lemmy Caution, is a cross between Dick Tracy and Flash Gordon, spiced with a touch of Humphrey Bogart. (At one point we catch Caution reading The Big Sleep.) Godard lets his imagination run wild as his comic-strip hero battles the computer-king of a super-mechanized science fiction city. Neon signs flash mathematical formulas across the screen, and the computer growls instructions from what looks like a CBS recording studio...
There are three conspicuous ones, and an uncounted number of minor imitations. Most unlikely is Italy's Monica Vitti, an intellectual type seen as a brooding nymph in The Red Desert. In a new British production, Vitti is Modesty Blaise of London comic-strip fame. Modesty has retired at 26 from the international smuggling racket to become a sort of freelance girl Friday for the British Secret Service. Armed with blouse-button bombs, cigarette lighters that turn out to be miniature flame throwers, and lipstick that untelescopes into a deadly arrow, Modesty outbombs and outshoots everybody, including that archcriminal...
...Comic-Strip Shaw. For 23 years on the Tribune, Cassidy not only criticized the cultural world of Chicago; to a large extent, she ran it. She helped persuade Conductor Fritz Reiner to take over the Chicago Symphony (1953-62), and she helped build up the estimable Chicago Lyric Opera. When she liked something -or someone-she lavished compliments. She was one of the first to praise and promote Tennessee Williams. Reviewing the 1944 world premiere of The Glass Menagerie, she wrote: "It is honest, tender, tough and brilliant...
...Cassidy was read mostly for her attacks. Her reviews were often florid, sometimes shockingly inaccurate-she once confused Haydn with Prokofiev-but rarely dull. After seeing Olivia de Havilland in Candida, she wrote: "A pallid, one-dimensional heroine in a kind of comic-strip Shaw. When she enters, she is an interruption, nothing more." She dismissed Conductor Rafael Kubelik: "The symphony was as shapeless as his curious beat, being distorted by arms stiff as driving pistons or limp as boiled spaghetti...
...Like his creation Charlie Brown, who never uses an expletive stronger than "Good grief!" Schulz insists: "I've never used a cuss word in my life. I don't even like ugly words like stink or fink. Perhaps I'm just ridiculously sensitive." He believes that "comic-strip artists have a responsibility to be uplifting and decent. This is not difficult. My book, Happiness Is a Warm Puppy, is completely innocent; yet in 1963 it outsold every other book, despite the waves of smut sweeping the country...