Word: comic-strip
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Ingenuous, Ingenious. Herge's sunny creation is an ingenuous, ingenious teenage adventurer named Tintin, who acts like a Rover Boy, looks like the early Skeezix with his upswept lock of hair, and is easily Europe's most popular comic-strip character. French children once named him their favorite hero in a magazine poll, gave him nearly three times as many votes as Napoleon. Compared to U.S. characters, Tintin has a close kinship to Little Orphan Annie in his devotion to morality. Like Annie, oddly enough, Tintin has undeveloped eyes, e.g., she has circles but no dots...
...anywhere near so well. The Girls in 509 has truly funny moments, when a gag cuts sharp as a razor, or a prop turns into a vise. But a situation that never develops the slightest bit of story has to be relentlessly kept going with comic-strip characters and hit-or-miss gags. Worse, loud and obvious staging that only Peggy Wood knows how to rise above underlines everything that is tiresome, or tinny, or both. Actually, The Girls in 509 has just enough winning gags and gadgets for a topnotch revue skit. In its present form, Playwright Teichmann, having...
Gradually a corporal's guard of regulars formed, including gifted Pianist Jose Melis, suave Announcer Hugh Downs and Singer Betty Johnson, who all served as Paar's foils. The regulars became as familiar as comic-strip characters. Leading characters at present : Genevieve, French singer with a haphazard haircut and accent to match, and an oldtime comedian named Cliff Arquette, with drooping pants and rustic repartee. Despite her sophisticated air, it is naively charming Genevieve who represents innocence on the show and Cliff, despite his cornball appearance, whose trigger-quick ad libs speak for sophistication. But the biggest character...
...This comic-strip exercise in esthetics is typical of the way Bernstein this season made the old Young People's series a bracing, fact-filled musical kindergarten for young and old. He wrote his own scripts for four televised, hour-long concerts (the last is due next month), using much the same technique as in the Omnibus music-appreciation series (TIME, Feb. 4, 1957). Teacher Bernstein combined, in equal parts, his musical knowledge, charm, eloquence...
...novel? Is it a nightmare? Is it Superman-in the comic-strip or the Nietzschean version? During the book's opening passages-for 300 or 400 pages, that is-the reader cannot be sure. Then the truth emerges: Author Ayn Rand, a sort of literary Horsewoman of the Apocalypse, is smashing the world with half a million words in order to rebuild it according to her own philosophy. And that philosophy must be read to be disbelieved...