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...disappointed to see Joe Sacco's comic-strip interpretation of the Israeli-Palestinian conflict as personified in the West Bank town of Hebron [WORLD, March 12]. While I appreciate the artistic and journalistic value of Sacco's piece, I believe that the cartoon medium only serves to make light of the serious circumstances in Israel. No foreign cartoonist can begin to accurately portray the situation. TIME has failed to respect the gravity of the situation. ZACHARY M. BENJAMIN Tampa...

Author: /time Magazine | Title: Letters: Apr. 2, 2001 | 4/2/2001 | See Source »

Your coverage of the show of sensational art at the Brooklyn Museum in New York City [ART, Oct. 11] reminds us that there is no easy answer to the question What is art? It often seems that the artistic talent shown in the newspaper's comic-strip section dwarfs many of the efforts of contemporary "artists." MICHAEL LUPPNOW Port Elizabeth, South Africa...

Author: /time Magazine | Title: Letters: Nov. 8, 1999 | 11/8/1999 | See Source »

DIED. JEAN-CLAUDE FOREST, 68, comic-strip artist; near Paris. Best remembered as the creator of the sci-fi cheesecake character Barbarella, he also designed the sets for the 1968 Jane Fonda film...

Author: /time Magazine | Title: Milestones Jan. 11, 1999 | 1/11/1999 | See Source »

Born in New York City in 1923, Lichtenstein served a stint in the Air Force during World War II--which must have laid the ground of his later comic-strip images of gung-ho pilots blasting their enemies from the sky--and then, after studying art at Ohio State University, moved back East. He was a slender, elegant man who, with his beaky nose and long gray hair pulled back in a ponytail, acquired in his later years an odd physical resemblance to Georgia O'Keeffe. He lived for his work, assiduously producing it on a near industrial scale--sculpture...

Author: /time Magazine | Title: ROY LICHTENSTEIN: POP'S MOST POPULAR | 10/13/1997 | See Source »

Lichtenstein became known to an enormous public as "the guy who paints comics," but in fact the comic-strip phase of his work was quite brief: it lasted from 1961 to 1965, after which he moved on to other subjects and themes. The motif caused considerable offense, to the point where LIFE magazine nominated him as the worst artist in the world. But it enabled him to play with all manner of saucy ironies and In jokes, and in any case he never copied anything; each image underwent fastidious tweaking, reshaping and restyling. "Why, Brad darling, this painting...

Author: /time Magazine | Title: ROY LICHTENSTEIN: POP'S MOST POPULAR | 10/13/1997 | See Source »

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