Word: comic
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Dates: during 1940-1949
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Little Orphan Annie is an ugly but likable little carrottop who in her 19-year comic-strip existence has adventured into and out of many a paper-&-ink jam. Last week she was in a real one. The Roosevelt loyalists of the Louisville Courier-Journal management tossed her bodily out of their paper. Angrily but regretfully they had concluded that popular Annie had been made into a vehicle of Republican propaganda...
Explained Publisher Ethridge: ". . . The turn taken by the Orphan Annie strip was representative of the Chicago Tribune policy. . . . (We do) not mind presenting opinions contrary to our own, (but) we have to insist that opinion of whatever kind be duly labeled as such and not smuggled into comic strips in the guise of entertainment...
...lightest were the two best. Pfc. John B. O'Dea's Where E'er We Go was a lively stenographic report of talk in barracks, with some good cracks tossed in by the stenographer. Corporal Irving G. Neiman's Button Your Lip was a comic free-for-all about dazed rookies, daffy rumors and the presence in camp of a glamorous star. At each performance a different star - Gertrude Lawrence, Ilona Massey, Carole Landis, Gypsy Rose Lee - turned up in person for the tag line...
...novels runs a barricade ; the opposed forces on each side are Good and Evil in the forms of Life and Death, Light and Darkness, Fertility and Sterility, Courage and Respectability, Intelligence and Stupidity- all the great absolutes that are so dull when discussed in themselves." But the comic manner, which Forster affects, "will not tolerate absolutes." It stands on Novelist For ster's "barricade" and smiles with maddening good humor on both sides. In this comic manner lies a method: "The fierce plots move forward to grand simplicities, but the comic manner confuses the issues, forcing upon...
...whoops up the "virtues of sexual fulfillment" and "the values of intelligence," when he satirizes the powers that be, "questions the British Empire, and attacks business ethics and [British] public schools." And yet they have an uneasy feeling that "Forster is not quite playing their game," that his comic manner is "challenging" liberals as well as what liberals dislike. Says Trilling: "They are right. For all his long commitment to the doctrines of liberalism, Forster is at war with the liberal imagination...