Word: comic
(lookup in dictionary)
(lookup stats)
Dates: during 1940-1949
Sort By: most recent first
(reverse)
...national pastime was once more its old half-heroic, half-comic self...
...youthful shows, it has more high spirits than skill; like almost all revues, more faltering skits than funny ones. Yet the show as a whole is as well-balanced as it is bright. It has fresh ideas, peppy dancing, agreeable tunes, clever lyrics. And it has likable performers, notably Comic Jules Munshin and pretty Comedienne Betty Garrett (Laffing Room Only). As a canteen hostess, half-crippled and half-crazy from trying to conga, rumba and samba, Actress Garrett brings down the house...
...Palooka, Champ (Monogram). This lowly "B" production is a highly intelligent animation of Ham Fisher's comic strip-or of what the strip was before it got "significance." In really brilliant style it strikes precisely the comic-strip attitude-the understatement of motion, the two-dimensional, parodic life. The villain of the piece (Eduardo Ciannelli) never peeks out from behind his leer; the heroine (Elyse Knox) is rich but unspoiled; the hero (Joe Kirkwood Jr.) is profoundly respectful of his mother, and as innocent as if he had never had a man-to-man talk with his father...
...bright side of St. Louis Woman is its musicomedy side. The show's only real dance number, a spanking cakewalk contest, has style and dash. The show's only real comic, Nightclub Singer Pearl Bailey, has the lumbering slink and lusty humor to turn two sex-salted ditties, Legalize My Name and A Woman's Prerogative into near showstoppers. The show's boisterous finale, with a frenzied crowd perched on rooftops and stepladders for a sneak-view of Augie's big race, has freshness, bounce. Lemuel Ayers's sets and costumes have musicomedy splash...
...Tracy fan: "Anybody who says Gould isn't a great artist is just crazy. He sets out to tell an honest horror story and he does it, with force and a minimum of trouble. And it's just plain horrible. It's the only comic strip I read...