Word: comic
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Dates: during 1960-1969
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...Comic-Strip Shaw. For 23 years on the Tribune, Cassidy not only criticized the cultural world of Chicago; to a large extent, she ran it. She helped persuade Conductor Fritz Reiner to take over the Chicago Symphony (1953-62), and she helped build up the estimable Chicago Lyric Opera. When she liked something -or someone-she lavished compliments. She was one of the first to praise and promote Tennessee Williams. Reviewing the 1944 world premiere of The Glass Menagerie, she wrote: "It is honest, tender, tough and brilliant...
...Cassidy was read mostly for her attacks. Her reviews were often florid, sometimes shockingly inaccurate-she once confused Haydn with Prokofiev-but rarely dull. After seeing Olivia de Havilland in Candida, she wrote: "A pallid, one-dimensional heroine in a kind of comic-strip Shaw. When she enters, she is an interruption, nothing more." She dismissed Conductor Rafael Kubelik: "The symphony was as shapeless as his curious beat, being distorted by arms stiff as driving pistons or limp as boiled spaghetti...
...generally quick to do the Bung's bidding. In his Anniversary Day speech, Sukarno urged Indonesians to "wage a campaign against Beatle music, cheap literature and crazy dances." In response, a crowd gathered before Djakarta's police headquarters and made a small bonfire of Beatle records, comic books and U.S. westerns...
Chapman's direction is wonderfully sharp; a series of gimmicks keeps the comic scenes rolling and the company makes excellent use of Horace Armistead's sets, the best the Loeb has seen in a long time. The sets are lavish and contain a lot of the props necessary to keep the action rolling, but they permit the visible-to-the-audience scene changes Brecht called...
Bruce Kornbluth's Sergeant Kite is a masterpiece of Villainy; his masquerades as a lady fortune-teller and as a preacher are splendidly done. K. Lype O'Dell's Balance and David Meneghal's Brazen are fine comic parts. In a moment of inspiration, Chapman Laurence Senetlick in the relatively minor role of Simpkins, and Senelick's sniggering, swaggering portrayal of the only poor man who lines up with the bourgeoisie (he's Justice Balance butler) justifies him. Simpkins' description of Bunker Hill is one of the highlights of the evening...