Word: comic
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Dates: during 1990-1999
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...womankind, and for all of womankind to speak for Vlasta. Much of the humor of the work lies in Havel's recycling women's dialogue. The playwright has Huml's wife and mistress share catty, stereotypical lines. Forbes is a little flat as Vlasta, but Martin displays some nice comic timing as Renata...
Paul Winfield (as Judge Larren Lyttle) is another standout actor. His character serves up surprisingly deadpan humor that doubles as comic relief in the movie's otherwise heavy atmosphere. Discounting as evidence a facetious admittal of the crime--Sabich's "Yeah, you're right"--Lyttle says, "If Mr. Sabich had come from my part of town, he'd have said, 'Yo mama.'" The wit, which is omnipresent with constant references to Della Guardia as "Mr. Dee Lay Guardia," add complexity to his character of an otherwise tough-nosed "Judge Motherfucker," as one ex-con who previously bribed him describes...
Bergman has assembled a talented if not superstar ensemble around Brando, and it is certainly not on their account that Brando overpowers the film. Broderick possesse a natural comic timing, and is perfect in his role as the naive New Englander. Kirby, too, is excellent in his role, extremely convincing as Sabatini's slightly slimy go-fernephew. Miller slips in and out of her horribly affected Queens accent but is well suited to her character, effectively portraying the spoiled self-consciousness one might expect from the mafia princess. And Academy Award-winning actor Schell is strangely engaging as the quirky...
...Biscuit is a security guard for the New Kids. He is, Scott swears, "a huge guy who, it turns out, is a great artist. All the fans know him. He's going to be in the New Kids cartoon series, he's going to be in the New Kids comic books. So it's built in. People are going to think I'm a genius. But it doesn't take a genius to see what the marketing potential is." There must, inevitably, be a Biscuit T shirt. Perhaps even a Biscuit biscuit. Maybe Bart Simpson could be persuaded...
While Marshall and the film's writers have consciously drawn themes from Hitchcock, they are not above taking liberties with them, and provide Arachnophobia with welcome comic relief. Marshall's wit (he co-wrote Blazing Saddles) is evident in his direction of a series of suspense-ridden false alarms. He keeps the audience off-balance by allowing it at times to come away with a laugh when expecting another gruesome killing. A typical example is the shower scene, an obvious allusion to Psycho, which comes to a far more humourous conclusion than Hitchcock's version...