Word: comical
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Dates: during 1920-1929
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...sorts of things, such as that perhaps Prexy knows more than we do about the business of being Prexy, that the reading period is just as well off, maybe better with reading assignments, and that Radcliffe girls like to look that way. Further that a large majority of College Comic editors eventually commit suicide (an exaggeration, note by reviewer) to evade reading proof (grant the evasion N. B. R.), and that a predominance of tight wad stories took their inspiration not from Scotchmen, but from College Comic Treasurers. (The good dog hunts ....? N. B. R.) (Editor of the Crimson please...
...competition closes July 1, 1928, and all manuscripts must be sent in by that time to be considered in the contest. All editorials must have been written by undergraduates and published during the academic year 1927-28. Monthlies, quarterlies, literary magazines, alumni publications, and comic magazines are excluded from the contest...
Eddie Buzzell, as a newspaper correspondent who is captured by "a thousand, no, more than that--ten hundred Riffs," furnishes the amusement. His prayer to Allah, beginning "you know me, Al," is a gem. This comic interpolation, combined with Sigmund Romber's music, suffices to make "The Desert Song" entertainment of the first rank...
...great patriotic strain which runs throughout the plot, the vivid historical background, the nautical realism, there are five individual dramatic performances which transcend almost any recent histrionic portrayals of the cinema. Charles Farrell and Esther Ralston perform beautifully together; Wallace Beery and George Bancroft make the screen's best comic pair; and Johnny Walker as Decatur is a gallant and heroic figure. Of course, the "Constitution" has the lead and holds...
Peripherie. From their tumultuous spectacles (Midsummer Night's Dream, Jedermann, Danton's Tod), Producer Max Reinhardt and company turned last week to the quieter drama of speculation. Peripherie, which has been translated as "The Ragged Edge," treats murder in somewhat the same vein of comic realism as does the U. S. tabloid press. What digs the vein deeper than it is ever dug by dramatic U. S. journalism or journalistic U. S. drama, is a thrust of reason which Europeans do not fear to exert in their most fantastic moods. Franzi, the roustabout hero of Peripherie, murders a wealthy patron...