Word: comical
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Dates: during 1930-1939
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...Harvard's pet comic-strip heroines is that ravishing blonde, Burma, of "Terry and the Pirates." Not long ago, if you recall, she developed a violent crush on Pat, the swarthy hero of the strip--who showed a stubborn disinterest in all her advances...
When the Ford Peace Ship sailed to end that orgy of destruction through a Neutral Conference for Continuous Mediation, the "international anarchists" (to improvise on a phrase from G. Lowes Dickinson) presented the peace pilgrimage as the great comic interlude of their four years' spectacle. Militarism had won. The Ford Expedition will serve future generations as a study in magnificent failure...
...husband's grave, then outwits the tyrant who had plotted his murder. Other parts of the opera move along leisurely, seem dated and old-fashioned compared with the Beethoven symphonies. A prisoners' chorus is stirring, compassionately descriptive of their pitiful existence. But there are flaccid comic opera bits unworthy of the composer's genius...
...another and more gentle age. Among the characters are the "conferencier a la mode", who cannot practice what he preaches; love; the countess whose strennous efforts to uphold the amenities are always failing; the pedantic and bespectacled English girl awkwardly seeking a husband; and many others of a similar comic "genre". The plot is one of clean drawing-room intrigue, arising from the misunderstanding of misplaced letters. And yet in spite of its conventional nineteenth-century machinery, the film is genuinely amusing. The lines are distinguished by their delightful penetration into the incongruities of human character; and they are spoken...
...silent pictures, almost as rich and famed as Charlie Chaplin, Harold Lloyd reacted differently when talkies arrived. While Chaplin, with the egoism permissible to genius, defied the new medium, Lloyd conscientiously set out to adapt himself to it. His method was cautious: while retaining the outlines of the comic character with which his admirers had been pleased in silent pictures, he chose stories which depended less exclusively on the efforts of the star, placed part of the burden of getting laughs on the other members of the cast. The Milky Way, his fifth talking picture, is to date the most...