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Word: comical (lookup in dictionary) (lookup stats)
Dates: during 1940-1949
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Usage:

...John L. Lewis, whose seven-week-old soft-coal strike had passed the pinching stage and was really hurting. In Washington last week for a clandestine meeting with Federal Mediator Cyrus Ching, John L. was in a sullen but athletic mood. For 45 minutes he led newsmen on a comic-opera chase through midtown Washington, waddling through side doors and around corners like an amateur Sydney Greenstreet, climbing in & out of taxicabs, bouncing up & down in elevators...

Author: /time Magazine | Title: LABOR: Magic Formula | 11/14/1949 | See Source »

...sights of Paris (see cut), arrived in the U.S. to spend a year celebrating his 75th birthday. With the Attic cultist came a member of the faithful whom he introduced as Mrs. Aia Bertrand, "a sort of Svengali." He planned to put on his own opera ("a comic tragedy") in Manhattan's Town Hall, in which he would insure uniform quality by playing all the roles. Admission: free...

Author: /time Magazine | Title: People: People, Nov. 14, 1949 | 11/14/1949 | See Source »

...varies an inch. It is the tone. With its sharp claws and ruthless clawing, its treacherous wiles and wheelchair theatrics, The Little Foxes might have yielded something inordinately operatic. But though his big scenes are sometimes florid enough, Composer Blitzstein's version of the Alabama Hubbards is fundamentally comic. Regina much less suggests a social critic excoriating an emerging class of plunderers than a first-rate showman exhibiting a prize assortment of hellions. Blitzstein's Hubbards cavort the whole time they conspire, and the general effect is of exuberance rather than tension...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

There is fair warrant for all this: stripped of symbolism, seen as foxes chiefly engaged in outfoxing one another, the Hubbards take their place in the long comic tradition of cheating cheaters. And the tone is becoming to Composer (The Cradle Will Rock) Blitzstein, who gets strident when shaking his fist but is vivacious when thumbing his nose. As plain razzing-it falls flat when it reaches for satire-Regina teems with brisk musical stage directions, brilliant little jingles, V-for-villainy motifs, high-spirited hocuspocus...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

...staging-has been done with style. Though an effective Regina in her first serious Broadway role, Jane Pickens, with perhaps the least vocal right, leaves the most determinedly operatic impression. More memorable are Brenda Lewis' overall performance as the pathetic Birdie and Newcomer Russell Nype's comic charm as the loathsome...

Author: /time Magazine | Title: The Theater: New Musical Play in Manhattan, Nov. 14, 1949 | 11/14/1949 | See Source »

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