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Word: comical (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
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Usage:

Before she revolts, Molly is a monosyllabic young lady, who mopes in the summer house, reading comic books (Super Mouse). Although she is the closest thing to a heroine in the play, Molly is dangerous when peeved, since she apparently murders the neurotic young boarder, Vivian. In spite of her faults, however, Molly snares a husband, who loves her bacause she only "half hears" him, a good thing considering the rot he talks about. doggedly he bears with her through exchanges like: "Molly, we can't stay here playing cards in the Lobster Bowl cocktail lounge until...

Author: By R. E. Oldensurg, | Title: In the Summer House | 12/4/1953 | See Source »

...Comic Strip. In the contemporary section of the 1953 Salon, the standouts were a brilliant tapestry design done by Jean Picart le Doux and an expertly drawn Quartet of musicians by Hilaire Camille. There was also some plain trash. The trashiest: two heavyhanded pieces of political propaganda by Communist Painter André Fougeron. One, called Atlantic Civilization, had all the artistic merit of a low-class comic strip; it showed a soldier shooting from a brassy U.S. automobile while a bloated capitalist looked on gloatingly and the proletariat wept over their coffins. Le Figaro called Fougeron's work...

Author: /time Magazine | Title: Art: Birthday in Autumn | 11/30/1953 | See Source »

...leary of many British brands, is not going to laugh itself hoarse at this one. But to some, e.g., the sort of people who understand that the passion for antiques is a bit silly but go on collecting them anyway. Genevieve will come as an irresistible little piece of comic bric-a-brac...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 30, 1953 | 11/30/1953 | See Source »

...important thing about the picture, however, is the proof it offers that CinemaScope can do the comic about as well as it can the epic. The problem of pictorial composition within the stretched-out frame is fairly well handled, chiefly by making the actors move more and the camera less. The cutting from one scene to another is a little heavyhanded, but the eye soon learns to allow for it, and the light skip from scene to scene, so necessary in comedy, does not seriously falter...

Author: /time Magazine | Title: Cinema: The New Pictures, Nov. 23, 1953 | 11/23/1953 | See Source »

Also on the bill is Walt Disney's first try at CinemaScope, a Technicolor cartoon called Toot, Whistle, Plunk, and Boom. Though the cartoon shows a strong UPA influence, it clings to the saccharine sentimentality that has often plagued Disney. Cluttered with tweeting birds and comic cave men, the wide screen loses its panoramic effect in a flood of blaring music and garish color...

Author: By Harry S. Kane, | Title: How to Marry a Millionaire | 11/23/1953 | See Source »

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