Word: comical
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Dates: during 1950-1959
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Crazy He Calls Me (Dakota Staton; Capitol LP). Singer Staton is an ample woman with a more than ample voice and a gaudy spectrum of moods. She can be broadly comic in How High the Moon, exuberant in No Moon at All, anguished in Morning, Noon or Night. In Can't Live Without Him Any More she hits the listener with a sound like an unmuted brass section. What makes her album a delight, though, is its sheer exuberance, suggesting that nobody is getting more kicks than Dakota herself...
...drawing board. Whether she is quaffing one goblet of mead too many, chewing the wax grapes in her corsage and spitting out the seeds, or opening her mouth to grapefruit size to bellow that she's Shy, Actress Burnett makes her musical comedy debut a choicely comic event...
Another of Mattress' promising debutantes: Composer Mary Rodgers, daughter of famed Tunesmith Richard Rodgers. Reminiscent at times, her pleasantly fashioned score is never merely derivative. Veteran Broadway Director George Abbott sets a pace that is nimble without being frantic. Occasionally, Mattress' comic reach exceeds its grasp and good taste e.g., a scene in which the mute king tries to mime the facts of life for his son. But when the evil queen finally brings the fabled pea to her lips in a dice player's frenzied kiss, it is an unconscious reminder of how much...
After Mr. Darrow's versions, the CRIMSON will present, in successive issues, the responses of other well-known comic artists to the question, "What will (might) (should) (could) Radcliffe's next president look like...
...easy to spot what is wrong with Puntila, but the satisfactions of the evening, except for certain beautiful erotic-comic passages, are harder to pin-point. The play is based on a group of Finnish stories, and it manages to achieve a vaguely Finnish atmosphere: bracing and sparse. The series of unpretentious, easily-changeable settings (designed by Robert Skinner and Lorna Kreuger) have a good deal to do with this; the backdrops for successive scenes are frankly mounted on a large picture frame, and the effect is never more Brechtian than when substantial sections look as if they were made...