Word: comical
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Dates: during 1950-1959
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...daughter and the hired man are much better company, and the celebration of the sexual instincts which they represent borders, at its best, on comic poetry. But this erotic yea-saying degenerates in lesser moments into remarkably explicit single-entendre that is crude without being funny. Crudity seems, generally speaking, to be the defect inherent in Brecht's attempt to simplify life to the point where it can be described in his almost-allegorical terms. His characters are often lifeless stick-figures whose only identity is a label, and his political and social pronouncements are over-stated, over-emphasized, over...
...Comic Relief. The day after Morse's speech, Illinois' Minority Leader Everett Dirksen provided some unintentional comic relief. Arguing that it was unsporting to hold Mrs. Luce's old political speeches against her, Orator Dirksen cried: "Why thrash old hay or beat an old bag of bones?" As the galleries guffawed, Minnesota's Democrat Hubert Humphrey played for laughs. "I must rise to the defense of the lady," he said...
...scene from The Browning Version when one actor showed a tendency to blow his lines. (This last maneuver, by a man who has always championed live TV and frowned on tape and other mechanical aids, was as revealing as W. C. Fields's inspired advice to a harassed comic contemporary: "Never mind what...
Most of the glop falls to Joy Myers as Ida, which is profoundly unfair, since Miss Myers is a big, beautiful girl with a big, beautiful voice, and deserves better. She can belt it out with the best of them when belting is required, but she has a comic sense unusual in a soprano, and manages, almost miraculously, to avoid giving the impression that she is about to emit a "ho-jo-to-ho," grab a horse, and make it back to Valhalla...
...second floor of a nondescript building in Greenwich Village, above a reducing salon (and around the corner, for those who care, from the residence of e. e. cummings), there is published every week an anomalous organ called the Village Voice, which has served as the bottle from which the comic genie Jules Feiffer was launched upon a small but highly appreciative world. There are other good things in the bottle, but so far only Feiffer, whose cartoons continue to appear there weekly, has risen from oblivion to the Voice and then directly to paperback publication, autograph-signing tours of college...