Search Details

Word: comical (lookup in dictionary) (lookup stats)
Dates: during 1950-1959
Sort By: most recent first (reverse)


Usage:

...Parisienne. Brigitte Bardot, leaning voluptuously on the sure comic talents of Charles Boyer and Henri Vidal, finally makes a film that is as funny as it is fleshy (TIME, July...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Aug. 11, 1958 | 8/11/1958 | See Source »

...Union Station; he was taken on a tour of Boys Town, paid his respects to the archbishop, visited a convent for errant girls, and was named Chief Charging Buffalo by the Omaha Indians. The excuse for all the excitement seemed as zany as the celebration itself: Stan Freberg, visiting comic-turned-adman from California, had come to town to lead the Omaha Symphony Orchestra through a 6½-minute singing commercial of his own composition...

Author: /time Magazine | Title: Television: Art for Money's Sake | 8/4/1958 | See Source »

...retired Baptist minister, Stan Freberg began to learn the tricks of beguiling an audience when he was only eleven. His uncle was Conray the Magician, and young Stan served as "coat stuffer" for that old vaudevillian. By 1955 Freberg was well established as a minor comic in TV and a far-out satirist on records. His liveliest: a drama of passion whose only dialogue consisted of the words "John" and "Marsha"; St. George and the Dragonet, a take-off on Jack Webb's Dragnet, which sold 1,000,000 records in three weeks...

Author: /time Magazine | Title: Television: Art for Money's Sake | 8/4/1958 | See Source »

...Parisienne. Brigitte Bardot, leaning voluptuously on the sure comic talents of Charles Boyer and Henri Vidal, finally makes a film that is as funny as it is fleshy (TIME, July...

Author: /time Magazine | Title: Cinema: CURRENT & CHOICE, Aug. 4, 1958 | 8/4/1958 | See Source »

...scene between Launcelot and Old Gobbo is, on the printed page, one of Shakespeare's weakest comic passages; and, on the stage, it usually proves to be an embarrassing interlude. For the first time in my experience, thanks to Frederic Warriner's Launcelot and Stanley Jay's Gobbo, the scene came out satisfactorily. Warriner, in an outlandish patch-work costume, turns the clown into a merry stutterer; and Jay sports an over-sized pointed nose and few teeth. Their combined antics are hilarious...

Author: By Caldwell Titcomb, | Title: The Merchant of Venice | 7/31/1958 | See Source »

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