Word: comical
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Dates: during 1960-1969
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...acting, and even Daniel Seltzer as Georges used more vocal and physical tricks than this excellent and accomplished actor has ever displayed. Susan Lyke plays Irma at a fever pitch, unmodulated and quickly uninteresting, as was Janet Bowes as a listless Carmen. Michael McKean did the Envoy with excellent comic precision, although by playing it gay he threw the production over the edge, as far as this reviewer was concerned. Only Lisa Kelley successfully conveyed something of the balances and conflicts in Genet's many strange worlds. But as Chantal the revolutionary she comes on late and, on opening night...
Strictly speaking, the option in most of these cases is to enter into the fun-or leave it alone. But several of the objects have been so intricately put together that they offer the viewers some real variants to work with. Oyvind Fahlstrom sets up panels dotted with comic-strip and newsclip images mounted on magnetized blocks; these can be moved around at will. The result, Fahlstrom suggests, is to produce the "elusive-mysterious quality of a never-fixed work of art." Gerald Oster's Instant Self-Skiagraphy permits the viewer-participant to make shadow pictures with his hand...
...essence of the film, though, is not in the comic-strip chiaroscuro of its plot but in the fun Director Jaroslav Balík and his cast have with their caricatures. Rudolf Hruŝínsky turns in a burly, brachycephalic performance as the ape man, first delighted by the apparent selflessness of humans-who do not fight for food at a reception and talk constantly of altruism-then horrified at the superjungle that gives the lie to their platitudes. "People, what are you doing?" he cries as the assorted forces of evil tangle in, around, up, down and through...
When I was fourteen and a collector of comic books in New York, I used to go downtown to a dirty loft its owners called The Memory Shop to trade early Batman comics for early Dick Tracy with a tough truck driver from St. Louis who fell by every month or so. He was tall and unshaven and sweaty, so it surprised me the first time when his voice revealed him a gentle nervous faggot. I would have forgotten him had I not seen him reincarnated last night as Flute, the Bellows-mender, later Thisbe, both parts executed by Woody...
...wonderful--the clarity of language and the play's comic potential are unfolded in the exciting and inventive reinterpreation of dialogue and characterization, reinterpretation remaining faithful to Shakespeare's intent in its bawdy humor, essential ambiguity, and emphasis on magic. Reviewing Orson Welles' film Falstaff, the Crimson's Peter Jaszi attributed to Welles "a single overriding concern: to make the text, both the words and the visual images implicit in them, wholly and completely his own, and thereby to make them ours." This can, with A Midsummer Night's Dream, be said of Mayer, and his success is very much...