Word: comical
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Dates: during 1970-1979
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Contributor Richard Schickel, who wrote the story that precedes Rich's interview, has reviewed films for 14 years, long enough to have assayed every Woody Allen production since Take the Money and Run. Schickel first met Allen in 1963, when the comic did his stand-up routine on a TV show where Schickel was book critic. In this week's issue, Schickel examines Allen's maturation as a film maker on the eve of his latest and perhaps greatest triumph, Manhattan. To this task Schickel brings his experience not only as critic, but also as film maker...
...Forthcoming, honest and very, very serrious." That is how Staff Writer Frank Rich describes Woody Allen, the film maker, comic and virtuoso jazz clarinetist he interviewed in Allen's Manhattan apartment for this week's cover story. Says Rich: "Because Woody is involved in none of the side-show glitter of the industry, from TV appearances to Oscar ceremonies, he is different from anyone else I've met in show business." Rich first met Allen while writing a profile of him for Esquire in 1977. Rich's own show business career began at age 13, when...
BECAUSE this Dunster House Drama Society production tends toward the light-hearted and comic event, the two most malevolent characters are evoked sympathetically. Therefore, the members' of Heartbreak House failure to show alarm or despair at the deaths of Mangan, the deceitful businessman, and Billy Dunn, the burglar and ex-pirate, is not credible...
...kicked around during kindergarten and is only now getting his revenge on humanity. His frenzied, whining manner accords--often hysterically--the Mangan who cannot keep pace with Heartbreak House's ever-changing pretensions. But because his malice barely emerges, John's performance can perhaps best be defined as comic basrelief. Similarly, Peter Ginna is almost endearing as the burglar who not only convinces his captors to release him but persuades them to take up a collection so he can start out again on the right track. The role is executed with considerable charm and color leaving the audience...
...Elizabethan tragedy. Mother and Father Capulet vie in the extravagance of their laments; lines like "life and these lips have long been separated" signal to the audience that this is farce, not tragedy. The cast at the Hasty Pudding conveys the full comedy of this scene. Unfortunately, the comic atmosphere lingers like an unwanted guest till the curtain falls...